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Submit Date: 11/9/2010
Format: Playlist
Category:
Genres & History
'00s Indie Rock
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Grizzly Bear
Two Weeks
from Veckatimest (2009)
Camera Obscura
Lloyd, I'm Ready to Be Heartbroken
from Let's Get Out of This Country (2006)
The Magnetic Fields
I Don't Believe You
from i (2004)
The Airborne Toxic Event
Sometime Around Midnight
from The Airborne Toxic Event (Deluxe Edition) (2009)
The Walkmen
The Rat
from Bows + Arrows (2004)
Dr. Dog
Hang On
from Fate (Bonus Track Version) (2008)
Belle and Sebastian
Another Sunny Day
from The Life Pursuit (Bonus Tracks) (2006)
Ra Ra Riot
Can You Tell
from The Rhumb Line (2008)
Rogue Wave
Eyes
from Eyes - Single (2006)
The Hold Steady
Your Little Hoodrat Friend
from Separation Sunday (2005)
Broken Social Scene
Anthems for a Seventeen-Year-Old Girl
from You Forgot It in People (2003)
Stars
Your Ex-Lover Is Dead
from Set Yourself On Fire (2004)
The Raveonettes
Dead Sound
from Lust Lust Lust (Bonus Track Version) (2008)
The Kills
U.R.A. Fever
from Midnight Boom (2008)
Antony & The Johnsons
Hope There's Someone
from I Am a Bird Now (2007)
The Clientele
(I Can’t Seem To) Make You Mine
from Strange Geometry (2005)
Blonde Redhead
23
from 23 (2007)
of Montreal
Gronlandic Edit
from Hissing Fauna, Are You the Destroyer? (2007)
Wolf Parade
Shine a Light
from Apologies to the Queen Mary (2005)
The Boxer Rebellion
Spitting Fire
from Union (2009)
The Sea and Cake
Aerial
from Car Alarm (2008)
Earlimart
Nevermind the Phonecalls
from Mentor Tormentor (2007)
Okkervil River
Unless It's Kicks
from The Stage Names (2007)
Comment:
When a new Nirvana song ("You Know You're Right") suddenly stormed alternative rock stations in 2002, it didn't just remind us why Kurt Cobain's one of history's greatest rock stars; it also connected the dots between the past two decades, reminding us how we ended up with such post-grunge acts as Godsmack (the bleak sludge backing of "I Stand Alone") and the Vines (the dagger-like soft/loud dynamics of "Get Free"). The hit single also highlighted the differences between Nirvana's countless followers and alt-rock's new school, from the half-pipe hooks of Good Charlotte and Sum 41 to the hip-hop-infused heaviness of Crazy Town and Limp Bizkit.
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