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Member Since: 6/7/2004
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Hall & Oates

Artist Song Buy
Daryl Hall  Stop Loving Me, Stop Loving You   buy on itunes
Daryl Hall & John Oates  Sara Smile (Live)   buy on itunes
Daryl Hall & John Oates  You Know It Doesn't Matter Anymore   buy on itunes
Kenny G & Daryl Hall  Baby Come to Me   buy on itunes
Daryl Hall & John Oates  Bigger Than Both of Us   buy on itunes
Daryl Hall & John Oates  Southeast City Window   buy on itunes
Daryl Hall & John Oates  70's Scenario   buy on itunes
Daryl Hall & John Oates  Someone Like You   buy on itunes
Daryl Hall & John Oates  Change of Season   buy on itunes
Daryl Hall & John Oates  Gotta Lotta Nerve (Perfect Perfect)   buy on itunes
Hall & Oates  Family Man (Rock Mix) [Bonus Track]   buy on itunes
Daryl Hall  I'm In a Philly Mood   buy on itunes
Daryl Hall & John Oates  It's Uncanny   buy on itunes
Daryl Hall & John Oates  Lady Rain   buy on itunes
Daryl Hall & John Oates  Mano a Mano   buy on itunes
Daryl Hall & John Oates  Can't Stop the Music (He Played It Much Too Long)   buy on itunes
Daryl Hall & John Oates  Don't Blame It On Love   buy on itunes
Daryl Hall & John Oates  When the Morning Comes   buy on itunes
Daryl Hall & John Oates  Realove   buy on itunes
Daryl Hall & John Oates  Winged Bull   buy on itunes
Daryl Hall & John Oates  Beanie G. and the Rose Tattoo   buy on itunes
Hall & Oates  Italian Girls   buy on itunes
Daryl Hall & John Oates  Georgie   buy on itunes
Daryl Hall & John Oates  London, Luck & Love   buy on itunes
Daryl Hall & John Oates  You're Much Too Soon   buy on itunes

Comment:

Hall & Oates wasn’t solely about R&B. At one time or another, the duo tested a wide range of musical frequencies, from delicate acoustic folk — “Southeast City Window” from 1972 debut [i]Whole Oats[/i] — to the breezy, free-wheeling acoustic pop of “London, Luck & Love,” and the sparky rock of “Don’t Blame It On Love” from 1978’s [i]Along the Red Ledge[/i], featuring guitar work by King Crimson’s Robert Fripp. Eventually, trial and error gave way to their real strength: solid rhythmic beds beneath killer hooks and dazzling vocal melodies, the kind of lightning in a bottle captured on “Family Man” — we’ve included the excellent remastered 2004 Rock Mix here.
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