Other Mixes By Dom1
Cassette
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Mixed Genre

Cassette
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Mixed Genre

Cassette
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Mixed Genre

Cassette
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Mixed Genre

Cassette
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Mixed Genre

Dom1 Presents CRIME BEAT Vol 4
Side A | ||
Artist | Song | |
PIERO PICCIONI (Italy) | Main Title (from the movie Puppet On A Chain) (1970) (instrumental: a pitch perfect psych out for tracking Heroin traffickers through Amsterdam) | |
SUPERGRASS (England) | Caught By The Fuzz (Supergrass / Coombes) (Live At Glastonbury) (1995) (vocal) | |
DAVID HOLMES (England) | 69 Police (Holmes) (2000) (instrumental with sampled French voices.yup undercover cops in a haze of acid ) | |
PAYOM MOOGDA (Thailand) | Tamai Dern Sae (Why Do You Walk Like A Drunkard) (Charles) (196?) (vocal: essentially What I'd Say dipped in a red curry and fed through a villain's sphincter) | |
THE FUN LOVIN' CRIMINALS (USA) | Scooby Snacks (F. L.C.) (1996) (vocal: samples dialogue from Pulp Fiction / Moments Of Fear by Tones On Tail) | |
PORTISHEAD (England) | Sour Times (Barrow / Brooks / Gibbons) (1994) (title theme to the T.V. Series The Vice) (vocal) (Welcome to D.I. Pat Chappell's beat: Soho) | |
GIAN PISRO REVERBERI (Italy) | Malizie Die Venere (extended edit) (Reverberi) (from the movie Le Malizie Die venere) (1975) (instrumental: high class escort girl stripping in your hotel room) | |
BOSS HOG (USA) | Fear For You (Boss Hog) (1999) (vocal: a kilo of sex'n'grind chopped, bagged and ready to go) | |
GERT WILDEN & ORCHESTRA (Germany) | Getting Blue (Wilden) (1970) (from the movie SchulmSdchen Report 1) (instrumental: one helluva groovy & downright dirty beat from the land of Thomas Mohr) | |
JACKIE MITTOO (Jamaica) | Killer Diller (Mittoo) (1967-70) (ska tinged funky bruiser from The King Of Studio One) | |
ELMER BERNSTEIN (USA) | Thinking Of Baby (Bernstein) (1959) (from the T.V. series Johnny Staccato) (instrumental: laid back Jazzy sleaze from a soundtrack master) | |
PETER THOMAS (Germany) | The Hump (Thomas) (from the movie Der Bucklige Von Soho) (1966) (instrumental: grunt'n'sleaze in Soho as seen through German eyes) | |
CHARLES MINGUS (USA) | Boogie Stop Shuffle (Mingus) (1959) (instrumental: Mobsters, the numbers rackets, good time gals & cops who've turned a blind eye once too often) | |
CHRIS ISAAKS (USA) | Wicked Game (Isaacs) (1989) (vocal: Noir Nous Nada) | |
Side B | ||
Artist | Song | Buy |
CURTIS MAYFIELD (USA) | Get Down (Mayfield) (1972) (Vocal: about as down in the groove as any man can legally go without burning up in the funkosphere) | |
BARRY ADAMSON (England) | Suspicion (Adamson) (1992) (instrumental with voices buried deep beneath it's paranoiac groove) | |
PAIBON (Thailand) | Yom Pha Barn Norn Pahwan (Satan's Nightmare) (Paibon) (196?) (vocal: Crime Beat regular Phaibon serves up a Fu Manchu platter of green monkey heads in coconut malaise) | |
PIERO UMILLANI (Italy) | Topless Party (Umillani) (1968) (from the documentary Svezia Inferno, E Paradiso) (instrumental: nice baps luv but it doesn't change the fact there's a dead body on your Pool table) | |
MICHAEL MAGNE (France) | Grand Theme Malko (Magne) (1982) (from the movie S.A.S. A San Salvador) (instrumental: portentious slab of voice & acid which settles down into a piano led jazzy groove.oh yeah there's an acid flashback) | |
MANU DIBANGO (Africa) | Big Blow (Dibango) (1978) (vocal: killer jabs of club funk for off duty night) | |
ANGELO BADALAMENTI (Italy) | Pink Room (Badalamenti) (1992) (from the movie Twin Peaks: Fire Walk With Me) (instrumental: in hell pole dancers are forced to slide up and down for all eternity) | |
THE O'JAYS (USA) | For The Love Of Money (Gamble / Huff) (1973) (vocal: catch that Shaft lick flicking off and on in the background) | |
THE BACKYARD HEAVIES (USA) | Chitlin' Strutt (Russell / Walker / Branch) (1971) (instrumental: one hot plate o'funk for the inner psyche from Reflection Sound Studio's house band) | |
LA GENTE URBANA (?) Osanyin (vocables Mix) (Hussain / Hussain / Lyons) | (2001) (vocal: atmospheric latin funk with flutes & voodoo drums that kick in .real nice shit, Carlito Way vibe) | |
Comment:
Volume 4 in the funk heavy Cinematic Crime Beat Series.Alistair Maclean's Puppet On A Chain (1970) (UK) d: Geoffrey Reeves, Barbara Parkins, Sven-Bertil Taube
Edgar Wallace's Bucklige Von Soho, Der (Hunchback Of Soho) (1966) (west Germany) d: Alfred Vohrer, Gnnther Stoll
Johnny Staccato (1959-60) (USA) (TV) d: John Hogan, John Cassavettes
Malizie Die venere, Le (1969) (based on Venus In Furs) (Italy / West Germany / UK) d: Massimo Dalamano, Laura Antonelli
S.A.S. A San Salvador (France / West Germany) (1982) d: Raoul Coutard, Miles O'Keefe
SchulmSdchen Report (Confessions Of A Sixth form Girl) (1970) (West Germany) d: Ernst Hofbauer, Gnnther Kieslich
Svezia Inferno, E Paradiso (Sweden Heaven Or Hell) (1968) (Italy) (documentary) d: Luigi Scattini
Twin Peaks: Fire Walk With Me (USA) d: David Lynch, Sheryl Lee
Vice, The (1999-2003) (UK) (TV) d: various, Ken Stott, Caroline Catz, Marc Warren

Feedback:
This mix is a Cracker! Sorry Dom I just couldn't resist. Great Supergrass, Portishead & Chris Isaac picks. And the O'Jays tune is just awesome. Nice work.
you're glamorizing crime, Dom, and it's wonderful.
Yes indeed, I agree with Sammyg; and every track fitz -- tada!
The only connection to the underworld a ridiculous softcore sex flick like "SchulmSdchen-Report" might have is that it's definitely a crime to shoot cinematic crap this stupid and unwatchable. Mix-wise, this is about as good they come. Might be a tad better, though, if it were on CD. ;)
and the beat goes on....
Brilliant as ever, Dom...great cover shot too.
Dang
, Dom...how 'bout "I Confess" by Catherine Wheel..?
, Dom...how 'bout "I Confess" by Catherine Wheel..?
What a line up. They can't see me behind the mirror glass, right?