Other Mixes By Leif Averageson
CD
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Mixed Genre
CD
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Theme - Alternating DJ
CD
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Mixed Genre
Cassette
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Jazz
CD
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Mixed Genre
Edition of Contemporary Music
| Artist | Song | |
| Dave Holland | Sonnet (Life Cycle, 1982) | |
| Colin Walcott | Codona (Codona, 1978) | |
| Anouar Brahem Trio | Astrakan CafT I (Astrakan CafT, 2001) | |
| Egberto Gismonti Group | Carmem (Musica de Sobrevivencia, 1993) | |
| Enrico Rava Quintet | The Wind (The Words and the Days, 2007) | |
| Vassilis Tsabropoulos | Prayer (Akroasis, 2003) | |
| Eberhard Weber | Closing Scenes (Pendulum, 1993) | |
| David Darling | Darkwood IV: In Motion (Dark Wood, 1995) | |
| Charles Lloyd | Prayer (The Water is Wide, 2000) | |
| Charlie Haden | Silence (Etudes, 1987) | |
| Don Cherry / Ed Blackwell | Voice Of The Silence (El Coraz=n, 1982) | |
| Jan Garbarek | Lokk (Dansere, 1976) | |
| Keith Jarrett | My Wild Irish Rose / Shenandoah (The Melody At Night, With You, 1999) | |
| Frantois Couturier | Le Sacrifice (Song for Tarkovsky, 1979) | |
| Jacob Young | Minor Peace (Evening Falls, 2004) | |
| Louis Sclavis | Le Long Du Temps (L'imparfait Des Langues, 2007) | |
| Pat Metheny | Goin' Ahead (Works 1, 1991) | |
| Nils Petter Molvµr | Kakonita (Solid Ether, 2001) | |
| Gianluigi Trovesi / Gianni Coscia | Ach, bedenken Sie, Herr Jack O'Brien, var. (Round About Weill, 2005) | |
| Pierre Favre Ebsemble | Albatros (Fleuve, 1973) | |
| Stefano Bollani | For All We Know (Piano Solo, 2006) | |
| Steve Tibbetts | Night Again (Safe Journey, 1984) | |
| Stephan Micus | Part 2 | Winterlight (On the Wing, 2006) | |
| Oregon | Alpenbridge (Crossing, 1985) | |
| Terje Rypdal | Melody (Eos, 1983) | |
| John Surman | Part IX A Fitting Epitaph (The Amazing Adventures Of Simon Simon, 1981) | |
| Ralph Towner / Gary Burton | Some Other Time (Matchbook, 1974) | |
| Bobo Stenson Trio | Der Pflaumenbaum (Serenity, 2000) | |
| Kenny Wheeler | 'Smatter (Gnu High, 1976) | |
| Yves Robert | In Touch Var. 1 (In Touch, 2002) | |
Comment:
This is one of those works in progress I've been returning to every now and again (my second draft was The Most Beautiful Sound Next To Silence: Eicher Thing) -- adding, subtracting, reordering, etc. I've been an ECM fan for quite a while, but being a collector is an expensive business, as the label's CD prices are dearer than most. As I acquire more, this mix will likely change again ... and again. This mix is representative of the ECM jazz / world arm vs. its classical side, which I'd explore, too, if funds were unlimited. One must prioritize, after all.I'm quite proud of this as representative of both the label (although certainly not wholly representative -- the catalogue is huge!) and a certain mellow, contemplative vibe (the Art Ensemble of Chicago, for an example, didn't make the cut because of the mood I was going for). If you're not overly familiar with ECM, I hope this mix turns you into a convert.
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Feedback:
Educative! I know only a few of these, but am looking forward to exploring further.
I'm looking forward to exploring this new soundscape.
ok, I'm diving in, get back to you when I surface.
From the Charles Lloyd, Don Cherry, and Charlie Haden, looks like a goldmine of classy company. Keep shoppin!
im not so keen on the ECM stuff I have which isn't anything approaching your collection - I do like Jan Garbarek a lot especially the arlier stuff like Listen to The Grey Ghost (title might be innacurate) - I seem to remember that being a soundtrack to accompany foreplay!
Looks sharp. What little I know on here I like. Look foreward to listening to the downloads.
Another great sampler of this expensive and relatively sampler free label. They should give you a job! ;)
In the Words of Carly Simon "You're So Vain". I'm Kidding of Course Ed, "Nobody Does It Better"...
intresting