Other Mixes By Pop Kulcher
Cassette
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Theme

Cassette
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Theme

Cassette
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Theme

CD
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Single Artist
CD
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Theme - Narrative
Perpetual Nervousness: A Complete History Of The Feelies (Deluxe 2-CD Reissue)
Side A | ||
Artist | Song | |
The Feelies | The Boy With The Perpetual Nervousness | |
The Feelies | Loveless Love | |
The Feelies | Forces At Work | |
The Feelies | Raised Eyebrows | |
The Feelies | Crazy Rhythms | |
The Trypes | A Plan Revised | |
The Feelies | On The Roof | |
The Feelies | High Road | |
The Feelies | Slipping (Into Something) | |
The Feelies | When Company Comes | |
The Feelies | Let's Go | |
The Feelies | She Said, She Said [Beatles cover] | |
Yung Wu | Shore Leave | |
Yung Wu | Big Day [Eno/Manzanera cover] | |
Yung Wu | Eternal Ice | |
The Feelies | It's Only Life | |
The Feelies | Too Much | |
The Feelies | Too Far Gone | |
The Feelies | Away | |
The Feelies | What Goes On [VU cover] | |
Side B | ||
Artist | Song | Buy |
Speed the Plough | Everyday Needs | |
Speed the Plough | The Tide Won't Tire | |
The Feelies | Waiting | |
The Feelies | Time For A Witness | |
The Feelies | Sooner Or Later | |
The Feelies | Doin' It Again | |
The Feelies | Barstool Blues [N. Young cover] | |
The Feelies | I Wanna Sleep In Your Arms [J. Richman cover] | |
The Feelies | White Light/White Heat [VU cover] | |
Speed the Plough | Deepest Brown | |
Wake Ooloo | Time To Go | |
Wake Ooloo | Nobody Heard | |
Wake Ooloo | From Afar | |
Wake Ooloo | Any Minute | |
Wild Carnation | Rising Tide | |
Wake Ooloo | Don't Look Now | |
Wake Ooloo | Too Long Gone | |
Wake Ooloo | Fun To Be Happy [Love Tractor cover] | |
Speed the Plough | Said & Done | |
Wake Ooloo | Too Many Times | |
Glenn Mercer | Morning Lights | |
Glenn Mercer | Whatever Happened | |
Glenn Mercer | Get It Back | |
Comment:
The long-overdue expansion of my old single-disc Feelies mix (planned it for last year, but then got wind of a Glenn Mercer solo disc set for 2007 release and held off). This one finally does justice to one of the finest (and most sadly overlooked) bands of the late 70's and 80's -- with room to let their myriad side projects shine as well. Ranging from Television-inspired twin-guitar post-punk grooves to pre-Americana acoustic bliss to Lou Reed-aping rock, the Feelies spent a decade and a half as the band on the verge, but a few brushes with fame aside (house band in Jonathan Demme's Something Wild but lost their shot at a big-budget concert film when he opted instead for the Talking Heads; big media push behind their final album that fell short and precipitated their break-up) just couldn't break into the big time. A huge injustice indeed.To my ears, their 1986 release The Good Earth still holds up today as one of the greatest albums of all time, jangly guitars and pastoral ambience with just a hint of Velvet Underground-inspired drone; pure beauty. And their legendary, herky-jerky 1980 debut is nearly as great. The final two weren't quite as unforgettable, but are still near-essential listening. And then you've got all the side projects:
The Trypes (later reformulated as Speed the Plough), featuring various friends and occasional contributions from members of the Feelies; Yung Wu, essentially the mid-80s Feelies (plus Trypes/STP members) but with percussionist Dave Weckerman taking lead vocal duties (not one of America's finest singers, but has a certain charm); Wake Ooloo, Feelies frontman Glenn Mercer's post-Feelies band (with Weckerman and others), not in the same league as the Feelies but a few fine songs nonetheless; and Wild Carnation, a Speed the Plough spin-off with Feelies bassist Brenda Sauter on vocals.

Feedback:
quite comprehensive
Nice tribute, indeed. The band sure meant a lot to me then - guess I haven't really given them much thought lately. Yep, the first two lps are super great. The third one is good. Don't know anything after. They always did great covers, too. How's that new solo thing?
For those curious -- Mercer's new solo album is ok, nothing great but not bad. Fortunately, after the three Wake Ooloo albums, which took off from the Feelies' final album with an increasing hard-rock bent (and decreasing tunefulness), he's back to quieter sonic textures. It's fairly mellow and pastoral, but alas nothing as melodic and catchy as Good Earth.
i'd love to hear this, as i'm a fledgling feelies fan. fffffff.
Nice double-disc version of the mix I did a few months ago (I mean that in a straight-up positive way, not sarcastic way).