Side A
Artist	Song
Emerson, Lake & Palmer	Fanfare For The Common Man (1977)
Jane's Addiction	Stop! (1990)
Patti Smith Group	Ask The Angels (1976)
U2	Pride (In The Name Of Love) (1984)
The Ramones	Mama's Boy (1984)
Iggy Pop	Cold Metal (1988)
Harry Nilsson	Without You (1971)
AC/DC	You Shook Me All Night Long (1980)
X	The Hungry Wolf (1982)
Aerosmith	F.I.N.E. (1989)
Red Hot Chili Peppers	Stadium Arcadium (2006)
Steve Howe (w / Annie Haslam)	It's All Over Now, Baby Blue (1999)
The Monkees	Your Auntie Grizelda (1967)
The New York Dolls	Bad Detective (1974)
Motorhead	(I Won't) Pay Your Price (1979)
April March	Chick Habit (1995)
The Beatles	I Wanna Be Your Man (1964)
Accept	Starlight (1982)
Pearl Jam	Dissident (1993)
Coverdale/Page	Pride And Joy (1993)
Van Halen	House Of Pain (1984)
Side B
Artist	Song	Buy
Genesis	The Lamb Lies Down On Broadway (1974)
Rich-ard Hell & The Voidoids	Blank Generation (1977)
Screaming Trees	Time Speaks Her Golden Tongue (1990)
The Rolling Stones	19th Nervous Breakdown (1966)
The Smiths	That Joke Isn't Funny Anymore (1985)
Lard (w / Jello Biafra & Al Jourgenson)	Forkboy (1990)
The Elastik Band	Spazz (1967)
Girl Trouble	Gonna Find A Cave (1988)
The Mumps (w / Lance Loud)	Crocodile Tears (1977)
Manic Street Preachers	You Love Us (1992)
Saigon Kick	All I Want (1992)
Patrick Moraz	Cacha (Baiao) (1976)
Jon Anderson	All In A Matter Of Time (1982)
The Who	Disguises (1966)
Rollins Band	I Want So Much More (2001)
Hanoi Rocks	Shakes (1984)
Suede	Starcrazy (1996)
Motley Crue	You're All I Need (1987)
Alice In Chains	Would? (1992)
Led Zeppelin	Tea For One (1976)

Comment:

Perhaps this is a bit of an exaggeration on my part, but I feel like this is the most eccentric, most nuttiest, most wacked-out mix I've coughed up so far! I daresay that if this mix were a person, the men in white coats would have dragged its sorry ass, raving and kicking and proclaiming itself Napoleon Bonaparte, all the way to Arkham Asylum a long time ago! Yes, I know, to a great extent, it's very similar to my other mixes in terms of variety and eclecticism (albeit more or less within the rock genre), but at some point in the second half of Disc #1 and in the first half of Disc #2, things just go completely bonkers and we get into comedic garage/punk/novelty territory! In other words, I'm letting my silly side hang out this time around and having a bellyful o' larfs! However, it's not ALL fun and games...I mean, with an overall title cribbed from Morrissey and the Smiths, how could it be? And the last three songs bring the proceedings to a close on a decidely dark note, with the most macabre power ballad of '80s metal (courtesy of Motley Crue), an Alice In Chains song that could very well serve as late singer Layne Staley's epitaph, and finally Led Zeppelin's sad and bluesy ode to ennui and homesickness. I'd also like to give a warm shout-out to one Vlad The Accountant, to whom I wish to dedicate Track #6 on Disc #2!

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