Side A
Artist	Song
Soundgarden	Birth Ritual (1992)
Aerosmith	Young Lust (1989)
The Stooges (w / Iggy Pop)	Down On The Street (1970)
The Rolling Stones	Lady Jane (1966)
Porno For Pyros (w / Perry Farrell)	Kimberly Austin (1996)
Joy Division	Transmission (1979)
Slade	I Won't Let It 'Appen Agen (1972)
The Police	It's Alright For You (1979)
Heart	Love Alive (1977)
The Cult	Conquistador (1986)
ZZ Top	I Got The Six (1983)
Van Der Graaf (Generator)	The Sphinx In The Face (1977)
Accept	All Or Nothing (1993)
Pearl Jam	Rearviewmirror (1993)
Nine Inch Nails	Burn (1994)
Metallica	...And Justice For All (1988)
The Doors	The Soft Parade (1969)
Side B
Artist	Song	Buy
The Dead Boys	Sonic Reducer (1977)
The Darkness	Black Shuck (2003)
Mott The Hoople	Rock And Roll Queen (1969)
R.E.M.	Orange Crush (1988)
Emerson, Lake & Palmer	I Believe In Father Christmas (1977)
Ozzy Osbourne	Goodbye To Romance (1981)
U2	Even Better Than The Real Thing (1991)
MC5	High School (1970)
The Velvet Underground	What Goes On (1969)
Free	Get Where I Belong (1971)
Manic Street Preachers	Stay Beautiful (1992)
Screaming Trees	Alice Said (1991)
Thin Lizzy	Rockey (1976)
W.A.S.P.	Forever Free (1989)
Warrior Soul	Ghetto Nation (1993)
The Who	Love, Reign O'er Me (1973)
The Beatles	A Day In The Life (1967)
Led Zeppelin	Thank You (1969)
Queen	God Save The Queen (instrumental) (1975)

Comment:

Yes, I remember what I said last time. Last time, I said I was going to reformat MIX #28, after which I would do this one. But as luck would have it, I recently compiled a brand spanking new mix, which I would also like to post today. And both #27 and #28 are my Halloween mixes, and I would prefer to reformat them on the same day. So I'll wait for #27 and #28, and do #5 and my brand new one (#42) today!

Anyway, here are my original comments:
"Well, Disc #2 of MIX #4 was admittedly a tad shaky overall, in terms of the flow of the songs. But here I'm definitely back in form. The sequence of the o-pening five songs and the sequence of the closing five songs were very much worked out in advance. We start out with three powerful rockers, take time out for a pair of ballads, keep a nice mix of things going for a while...and then when we get to the final five (or even six), the proceedings just get more and more intense, until the Doors close out the first half with one of their lesser known - and more eccentric - epics!

I feel that Disc #2 starts out strong (say from the first six or seven numbers) and then gets perhaps a tad uneven in the middle, but I think the closing sequence of four is pretty effective. (Although once again, I indulged my LOTR: ROTK Syndrome, stacking multiple en-dings like I did with the Disc #2 of MIX #4!)"

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