Side A
Artist	Song
Thin Lizzy	Are You Ready (live version) (1984)
Motorhead	Dead Men Tell No Tales (1979)
Rollins Band	On The Day (2000)
Metallica	Slither (1997)
W.A.S.P.	The Flame (1984)
White Zombie	More Human Than Human (1995)
Alice Cooper	I'm Eighteen (1970)
The Jimi Hen-drix Experience	Hey Joe (1967)
The Rolling Stones	Get Off Of My Cloud (1965)
Lynyrd Skynyrd	Workin' For MCA (1974)
King's X	Everybody Knows A Little Bit Of Something (1989)
The James Gang	Woman (1970)
Iron Maiden	Running Free (1980)
Judas Priest	Hell Bent For Leather (1978)
The Ramones	Rock 'N' Roll High School (from Rock 'N' Roll High School) (1979)
John Lennon & The Plastic Ono Band	Love (1970)
Manic Street Preachers	Solitude Sometimes Is (2004)
Jane's Addiction	Everybody's Frien-d (2003)
Robert Plant	I Believe (1993)
Van Der Graaf (Generator)	Sci-Finance (live version) (1978)
Bob Dylan	Buckets Of Rain (1975)
Side B
Artist	Song	Buy
Pearl Jam	Breakerfall (2000)
Guns N' Roses	Out Ta Get Me (1987)
Megadeth	Angry Again (from Last Action Hero) (1993)
The Beatles	I'm Only Sleeping (1966)
Black Sabbath	A Hard Road (1978)
Van Halen	Girl Gone Bad (1984)
Screaming Trees	Smokerings (1988)
Montrose	Ready Willing And Able (1987)
The Clash	The Street Parade (1980)
Mott The Hoople	Sweet Angeline (1972)
Nirvana	Drain You (1991)
The Nightwatchman (Tom Morello)	California's Dark (2007)
Journey	Just The Same Way (1979)
Peter Hammill	If I Could (1978)
At The Drive-In	Pickpocket (1998)
Corrosion Of Conformity	Fuel (1996)
Pantera	The Sleep (1990)
Blue Oyster Cult	This Ain't The Summer Of Love (1976)
MC5	Skunk (Sonicly Speaking) (1971)
Harry Nilsson	I'll Never Leave You (1971)

Comment:

There's one thing I forgot to mention in my comments for MIX #62: At this particular point in time, I have put together 63 mixes (or 126 CD's!), but believe it or not, until MIX #62, I haven't yet managed to use up all the tracks on one single album (which I suppose is a testament to my desire not to be too repetitive within the confines of any one mix, never repeating the same artist twice)...that is, until now! :-) In my last mix, I used Van Der Graaf Generator's Still Life and Yes' And You And I. So now, I've completely "eliminated" Van Der Graaf's '76 Still Life and Yes' '72 Close To The Edge albums! And it looks like MC5's '71 High Time might be the next one to get used up...

Now, then...on to more current matters! Well, MIX #63 certainly came out...interesting, to say the least! A bit of a shapeshifter, this one. Both discs o-pen up with guns blazing, rocking up a molten-metal storm (especially Disc #1, where we are subjected to a six-song high-voltage barrage from Lynott, Lemmy, Rollins, Jaymz, Blackie and Zombie). And then there's the double-barreled blast of moshpit fury from ATDI and COC in the latter part of Disc #2!

However, this mix also has its fair share of quiet spots. For example, the latter part of Disc #1 consists mostly of ballads of one kind or another, such as Love (from Lennon's official solo debut - not counting the experimental Unfinished Music discs with Yoko), and a couple of little-known beauties from the Manics and Jane's. Disc #1 concludes with the gentle Buckets Of Rain, the closer from Dylan's Blood On The Tracks. And on Disc #2, we get the lovely If I Could, a solo number from Van Der Graaf Generator frontman Peter Hammill.

And the mighty Van Der Graaf itself puts in an appearance toward the en-d of Disc #1, with a scorching number from their '78 live set Vital. Sci-Finance is heavy and menacing, bordering on metallic. Hammill's lyrics are a witty indictment of the excesses and absurdities of unbridled capitalism for its own sake, containing wonderful lines such as "You made some pretty deals along the way / Judas and Faust are in accord / When the revolution comes you may be blown away / But I bet you'll en-d up on the board" and "Now, there is silence on the floor / Clever money-computers chatter privately / No people any more," followed by the damning refrain "Only the money!" And Hammill's vocal delivery, although faux-operatic in places, is nothing less than pure punk rage. (It's no accident that Van Der Graaf was one of the few prog-rock bands that English punk rockers such as John Lydon had any respect for.)

Also, in retrospect, I'm not 100% convinced of my own wisdom in using Harry Nilsson's I'll Never Leave You as the closer, but I've always had a sort of weird attachment to that particular song. It's this very odd, yet lilting and sentimental, ballad which concludes the '71 Nilsson Schmilsson album (from which I've also used Without You, Coconut, and Jump Into The Fire on prior mixes). It's got some very unexpected chord changes, and toward the en-d there's an unexpected rhythmic shift from 4/4 to 3/4 time.

Another interesting thing is the fact that the Screaming Trees' Smokerings is one of three songs I know of which make mention of "cold steel rails." Mott The Hoople's All The Way From Memphis has the line "Now it's a mighty long way down the dusty trail / And the sun burns hot on the cold steel rails," and the Screaming Trees' Smokerings has the line "Ice-cold kiss on a cold steel rail." And if you'll remember, the title track from Pink Floyd's Wish You Were Here invokes the same image: "Can you tell a green field / From a cold steel rail / A smile from a veil?"

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