Other Mixes By Darth Pazuzu
Cassette
|
Rock - Hard Rock
Cassette
|
Rock - Hard Rock
Cassette
|
Rock - Hard Rock
Cassette
|
Rock - Hard Rock

PAZUZU MIX #74:
It's No Hanging Matter, It's No Capital Crime
Side A | ||
Artist | Song | |
Bob Dylan | Blind Willie McTell (1983) | |
Seven-dust | Black (1997) | |
The Who | New Song (1978) | |
Led Zeppelin | Heartbreaker (1969) | |
The Ramones | Blitzkrieg Bop (1976) | |
KISS | I Stole Your Love (1977) | |
Guns N' Roses | Hair Of The Dog (1993) | |
Queensryche | Get A Life (1997) | |
David Bowie | I Have Not Been To Oxford Town (1995) | |
AC/DC | What Do You Do For Money Honey (1980) | |
Yes | Beyond And Before (1969) | |
Eddie Vedder | Long Nights (from Into The Wild) (2007) | |
Henry Rollins (Henrietta Collins & The Wife Beating Child Haters) | Drive By Shooting (1986) | |
Stiff Little Fingers | Suspect Device (1978) | |
Blues Magoos | (We Ain't Got) Nothin' Yet (1966) | |
Montrose | What Are You Waitin' For? (1976) | |
The Rolling Stones | Stray Cat Blues (1968) | |
Angelo Badalamenti | Red Bats With Teeth (instrumental) (from Lost Highway) (1997) | |
Black Sabbath | Planet Caravan (1970) | |
The Germs | Shut Down (Annihilation Man) (1979) | |
Side B | ||
Artist | Song | Buy |
The Mars Volta | Son Et Lumiere (2003) | |
The Mars Volta | Inertiac ESP (2003) | |
Mother Love Bone | This Is Shangrila (1990) | |
Wayne Kramer | Stranger In The House (1997) | |
Van Halen | I'll Wait (1984) | |
The Monkees | I Don't Think You Know Me (1966) | |
The New York Dolls | Gotta Get Away From Tommy (2006) | |
The Doors | We Could Be So Good Together (1968) | |
Manic Street Preachers | Black Dog On My Shoulder (1998) | |
The Dead Boys | Tell Me (1978) | |
Screaming Trees | Flashes (1990) | |
Nirvana | Sifting (1989) | |
Metallica | Orion (instrumental) (1986) | |
Van Der Graaf Generator | Aquarian (1969) | |
Queen | Staying Power (live version) (1982) | |
Heart | Will You Be There (In The Morning) (1993) | |
Lenny Kravitz | Believe (1993) | |
W.A.S.P. | Scream Until You Like It (from Ghoulies II) (1987) | |
Motley Crue | Home Sweet Home ('91 Remix) (1985) | |
Comment:
Well, it's a "double elimination" this time around!:Van Halen - 1984 (1984)
Metallica - Master Of Puppets (1986)
Those of the sharp-eyed and attentive out there will note that I've used quite a significant number of songs from David Bowie's Outside on this as well as past mixes. Outside is what I like to refer to as David Bowie's "Movie Album". It seems that quite a few songs from the Outside disc have attracted the attention of several prominent filmmakers - including David Fincher, who used The Heart's Filthy Lesson over the (famously downward-scrolling) en-d credits of Seven (1995) in '95, and David Lynch, who used I'm Deranged in the main titles and en-d credit sequence of Lost Highway (1997)! The song I used this time, I Have Not Been To Oxford Town, was itself performed in the graduation party sequence early in Paul Verhoeven's Starship Troopers (1997) - albeit with al-tered lyrics.
Speaking of David Lynch's Lost Highway, I actually plan on using Bowie's I'm Deranged on my next mix! This time around, however, I included an Angelo Badalamenti instrumental piece from the film's soundtrack CD. It's called Red Bats With Teeth, and it was used as the Bill Pullman ch-aracter Fred Madison's frenzied nightclub performance on the tenor saxophone. It's also heard again later on in the film, after Fred has "become" the ch-aracter of Pete Dayton (Balthazar Getty), who is pained and distressed to hear that very same piece of music playing on the radio while at his job at a local car garage and then proceeds to change the station! (Much to the annoyance of his co-worker, played by the late, great Lynch-pin Jack Nance, who asks "What'd ya change it for?!")
As I did with Pink Floyd's When The Tigers Broke Free on MIX #71, I used a quieter and gentler song as an overture before getting things rocking and rolling. This time around I chose Blind Willie McTell, perhaps Bob Dylan's greatest masterpiece of the '80s, recorded and mysteriously left on the cutting room floor during the Infidels sessions! Go figure...
I think I pulled together a rather...well, for lack of a better word, noir closing sequence for Disc #1: a '76 Montrose rocker (sung by Bob James and not Sammy Hagar, who had left for a solo career by that time)...the lecherously sinister Stray Cat Blues from the Stones' Beggars Banquet in '68...the aforementioned Angelo Badalamenti movie instrumental, followed by the gentle yet eerie Sabbath classic Planet Caravan...and finally the Germs' lurching and menacing nine-minute-long 12-bar blues-punk rant Shut Down (Annihilation Man). Just as an exercise, try reciting the words "Let me touch the tips of inculcated desire" in as threatening and menacing a manner as possible. Trust me, you will not sound so much as a tenth as scary as the late Darby Crash. Guaranteed!
Feedback:
I've said it before and I'll say it again: This 4000-character rule really SUCKS!! *SIGH* Oh well, continuing on...
Elsewhere, I've dipped into my Nuggets and No Thanks! box sets from Rhino Records, coming up with an insurrectionary little punk scorcher from Stiff Little Fingers and a rocking, swinging psychedelic-era rocker from the Blues Magoos. I've also got a pretty damned funny novelty joke tune from an early solo album from Henry Rollins (post-Black Flag, pre-Rollins Band); the kickoff track from Yes' very first (self-titled) album in '69; the ironically-titled kickoff track from The Who's very last album recorded with the late Keith Moon on drums; a mellow acoustic number from Eddie Vedder's soundtrack disc for last year's Into The Wild; a live performance of a blistering funk track from Queen (a major improvement over the way-too-disco studio version from Hot Space in '82!); one of Heart's better power ballads from their mid-'80s/early-'90s era, penned by none other than Mister Shania Twain himself: former AC/DC and Def Leppard producer Robert John "Mutt Lange"!; a classic AC/DC track actually produced by "Mutt"; a rocker from W.A.S.P. recorded for the soundtrack of low-budget horror flick Ghoulies II; the definitive '80s power ballad from Motley Crue (in its definitive remix version); and a fantastic Stones cover from '70s punkers the Dead Boys! Not to mention all sorts of other fun stuff...
Elsewhere, I've dipped into my Nuggets and No Thanks! box sets from Rhino Records, coming up with an insurrectionary little punk scorcher from Stiff Little Fingers and a rocking, swinging psychedelic-era rocker from the Blues Magoos. I've also got a pretty damned funny novelty joke tune from an early solo album from Henry Rollins (post-Black Flag, pre-Rollins Band); the kickoff track from Yes' very first (self-titled) album in '69; the ironically-titled kickoff track from The Who's very last album recorded with the late Keith Moon on drums; a mellow acoustic number from Eddie Vedder's soundtrack disc for last year's Into The Wild; a live performance of a blistering funk track from Queen (a major improvement over the way-too-disco studio version from Hot Space in '82!); one of Heart's better power ballads from their mid-'80s/early-'90s era, penned by none other than Mister Shania Twain himself: former AC/DC and Def Leppard producer Robert John "Mutt Lange"!; a classic AC/DC track actually produced by "Mutt"; a rocker from W.A.S.P. recorded for the soundtrack of low-budget horror flick Ghoulies II; the definitive '80s power ballad from Motley Crue (in its definitive remix version); and a fantastic Stones cover from '70s punkers the Dead Boys! Not to mention all sorts of other fun stuff...
Suspect Device is one explosive song. I can remember screaming along to that whan I was a spotty youth many years ago. Great Blues Magoos track too.