Side A
Artist	Song
Goblin	Safari (from Dawn Of The Dead - European version) (1978)
Aerosmith	Intro / Eat The Rich (1993)
Yes	Shock To The Sy-stem (1991)
Stone Temple Pilots	Down (1999)
Faster Pussycat	Nonstop To Nowhere (1992)
Steppenwolf	The Pusher (1967)
Bob Dylan	Everything Is Broken (1989)
Manic Street Preachers	Removables (1996)
Kix	Boomerang (1988)
Pantera	Where You Come From (1997)
Soundgarden	Big Dumb Sex (1989)
Van Der Graaf Generator	Dr-op Dead (2008)
L7	Slide (1992)
Demolition 23 (w / Mike Monroe)	The Scum Lives On (1994)
Slayer & Ice-T	Disorder (from Judgment Night) (1993)
MC5	The American Ruse (1970)
X	The New World (1983)
The Doors	Strange Days (1967)
Patti Smith Group	Babelogue (1978)
Patti Smith Group	Rock 'N' Roll N-/-/- (1978)
Side B
Artist	Song	Buy
Hanoi Rocks	Million Miles Away (Never Get Enough) (1984)
Pearl Jam	In My Tree (1996)
Blue Oyster Cult	Dominance And Submission (1974)
Mudhoney & Sir Mix-A-Lot	Freak Mama (from Judgment Night) (1993)
Black Sabbath	Orchid (instrumental) (1971)
Black Sabbath	Lord Of This World (1971)
Nirvana	Something In The Way (1991)
Pink Floyd	Nobody Home (1979)
Corrosion Of Conformity	Wiseblood (1996)
Oasis	Digsy's Diner (1994)
Mick Ronson	Woman (1975)
The Rolling Stones	Connection (1967)
The Beatles	She Said She Said (1966)
Motley Crue	Too Young To Fall In Love (1983)
Led Zeppelin	Wal-ter's Walk (1972)
The Monkees	Shades Of Gray (1967)
The Cult	Bad Fun (1987)
R.E.M.	Disturbance At The Heron House (1987)
Lenny Kravitz	I Want To Go Home (2008)
The New York Dolls	Human Being (1974)
AC/DC	Rock And Roll Ain't Noise Pollution (1980)

Comment:

Well, I suppose you could say that this one's a tad more conventional, coming after the heavily cinematic leanings of MIX #75! Although as you can plainly see, I have not dispensed with soundtrack numbers altogether.

For starters, the kickoff track is a number from Italian progsters Goblin called Safari, which can be heard in the European version of George A. Romero's Dawn Of The Dead. It can be heard during the heroes' visit to the mall's gunshop when they're stocking up on ammo, and it's actually slightly different from the music cue which is used in the American version. Goblin's track has this thumping tribal-sounding percussion, and the group members making vocal chants of "boo-yaa!" and "oo-mau-mau!" I actually used it because at first I thought it would be a cool idea to start Disc #1 off with the Intro and Eat The Rich from Aerosmith's Get A Grip (1993), but then I thought it would be even cooler if I used the Goblin track to lead into it. (And if you've heard both tracks, it'll be plain and bloody obvious why!)

I also included my two favorite numbers from the rock/rap-crossover soundtrack disc for the '93 film Judgment Night (which I actually haven't seen yet!): Slayer & Ice-T's thundering, slamming Disorder (which is actually a medley of Exploited covers, although as of this moment I'm not 100% sure which ones) and the hilarious Freak Mama, a once-in-a-lifetime collaboration from Seattle's grungiest rockers Mudhoney and Seattle's bawdiest rapper Sir Mix-A-Lot! (SIDE NOTE: I'm actually not really all that much of a rap fan from a purely musical standpoint. The Judgment Night soundtrack disc, the first release by Ice-T's Body Count - y'know, the one originally with Cop Kil-ler! - and the entire Rage Against The Machine catalogue are actually the closest thing in my collection to anything rap. The presence of real guitars, bass and drums probably has a lot to do with that!)

Elsewhere, you might want to use Google to check out the lyrics to Tracks #11-13 on Disc #1 to find out exactly why I decided to put them all together in sequence! [*wink*] I also came up with a sizzlingly insurrectionary closing sequence (#14-20) for Disc #1, which I heartily dedicate to fellow mixer and collaborator Captain Hi-Top! (And I also have to thank the good Captain for indirectly inspiring me to include numbers from Pearl Jam's underrated '96 disc No Code on both MIXES #75-76!)

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