Side A
Artist	Song
Garth & Maud Hudson	No Depression in Heaven The Harry Smith Project: Anthology of American Folk Music Revisited, 2006
The Band	Chest Fever Music From Big Pink, 1968
The Band	In a Station Music From Big Pink, 1968
The Band	Caledonia Mission Music From Big Pink, 1968
The Band	Long Black Veil Music From Big Pink, 1968
The Band with the Staples Singers	The Weight The Last Waltz Rhino Box Set, 2002
The Hawks	Ain't No More Cane The Basement Tapes, 1975
Levon Helm	Quantrill's Guerillas White Mansions/Legend of Jesse James, 1999
The Band	The Night They Drove Old Dixie Down Rock of Ages, 1972
Garth & Maud Hudson	Blind Willie McTell Live At The Wolf, 2003
Levon Helm	Poor Old Dirt Farmer Dirt Farmer, 2007
Rick Danko	New Mexico Rick Danko, 1975
The Band	Atlantic City Jericho, 1993
Rick Danko	Ripple Rick Danko, 1975
Levon Helm	Don't Ya Tell Henry Ties That Bind: The Best of Levon Helm 1975-1996, 1996
The Band	Remedy Jericho, 1993
Rick Danko	Sip The Wine Rick Danko, 1975
The Band	Tears of Rage Music From Big Pink, 1968
Side B
Artist	Song	Buy
The Hawks	Katie's Been Gone The Basement Tapes, 1975
The Band	Crazy Mama High On The Hog, 1996
The Hawks	Bessie Smith The Basement Tapes, 1975
The Band	She Knows High On The Hog, 1996
Levon Helm	Single Girl, Married Girl Dirt Farmer, 2007
The Band	Lonesome Suzie Music From Big Pink, 1968
The Band	French Girls Jubilation, 1998
The Band	Country Boy Jericho, 1993
The Band	Stage Fright Rock of Ages, 1972
John Martyn & Levon Helm	Rock, Salt & Nails Couldn't Love You More/No Little Boy, 2000
Rick Danko & Garth Hudson	Twilight Best Of Mountain Stage - Volume 1, 1991
The Band	When I Paint My Masterpiece Bob Dylan The 30th Anniversary Concert Celebration, 1993
The Band	I Shall Be Released Music From Big Pink, 1968
Levon Helm	Wide River to Cross Dirt Farmer, 2007
The Band	The Great Pretender Moondog Matinee, 1973
Los Lobos con Levon Helm	Little John of God The Neighborhood, 1990
The Nitty Gritty Dirt Band with Levon Helm	When I Get My Rewards Will the Circle Be Unbroken, Vol. 2, 1989
Ringo Starr with Rick Danko, Levon Helm, Garth Hudson & Charles Manson	Sunshine Life For Me (Sail Away Raymond) Ringo, 1973
Muddy Waters with Levon Helm & Garth Hudson	Let The Good Times Roll The Muddy Waters Woodstock Album, 1975
The Band	Shine A Light Jericho, 1993

Comment:

Robbie Robertson was to the Band what Charlie Manson was to the Family.

Obviously Robbie was no killer, but he was able to manipulate his drug-addled cohorts much like Charlie did to his girls (and guys). Charlie would dose just a little less than the rest of the Family just to keep the scene under his control. While Rick, Richard & Levon (Garth is not really of this world) were busy building formidable drug habits, Robbie consolidated all the publishing under one name just to "keep things simple". Proof of the Devil's power on Earth is seeing Robbie prosper while Levon battles throat cancer and Richard and Rick lose their own battles. This mix was conceived a while ago, but it is only the release of Dirt Farmer, restoring Levon's true stature, that paved the way.Let's get the history straight, the Hawks were put together by Ronnie Hawkins, unlike Charlie forming the Family. And we must not forget that between the time they worked with Hawkins and Bob, they were known as Levon and the Hawks, not "Robbie and the Hawks". Divinyl's comment serves as the Prosecution's Exhibit A, the fact that Robbie has twisted his "legacy" such that many people believe he is the soul *cough* of the Band.Now I am a firm believer in the Band's mythology, the hard-working group touring behind Ronnie and then Dylan, following Bob up to Woodstock and to the magic of Big Pink. Personally, the release of JWH and MFBP in the span of a few months tore down the psychedelic world. You may ask yourself how I can make a Band single-artist tribute without a tune from the Brown album proper? Well, although that stands as one of the greatest albums of all time in any genre, it is also Exhibit B in the prosecution's case against el Sr. Robertson. It would be very naive to believe that Levon contributed only vocals and drums to a song like Night They Drove Old Dixie Down. Proof that Robbie was not the only songwriter in the group is simple. Two of Dylan's greatest songs, Tears of Rage and This Wheel's On Fire, were co-written with Manuel and Danko respectively.


Anyway, this is a mish-mash of my favorite pre-Band, Band and post-Band tunes, as Robbie-less as possible, but since they were such an integral, cohesive group, it is of course impossible to leave him out altogether. The fact that his overwhelming ego could make every effort to dominate such an egoless collective force, the whole reason they are simply "The Band", is the Prosecution's Exhibit C. To answer Rupert's comment below, the are not The Band standing above all others, but they are simply the band, that is to say the essence of a true group, beyond individual ego (in theory, that is, which further proves my point). And of course they became The Band because they were Dylan's Band.
The Prosecution's Exhibit D is Neil Diamond's presence at the Last Waltz. Now I am a closeted fan of Mr. Diamond, but I fully admit that he does not belong on the same stage as Joni, Neil Young, Van the Man, Dylan, Muddy, etc., but since Robbie was producing Beautiful Noise at the time, Neil got the chance to plug his new album in the Martin Scorcese film.

Further evidence related to the Last Waltz is the Prosecution's Final Exhibit, which is the fact that Levon actually had to wake out of his stupor and throw his weight around just for the legendary Muddy Waters to get a chance to share the stage with Mr. Diamond and his leisure suit. Case closed.

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