Artist	Song
The Florestan Trio	Piano Trio in E-flat (Schubert)
Elton John	Teacher Teacher
The Dandy Warhols	Every Day Should Be A Holiday
The Motorettes	Super Heartbeats
The Push Stars	Everything Shines
Erin Jordan	Edge of the Continent
Gilbert Aitken	The Way
Hank Ballard & The Midnighters	Continental Walk
Sea Wolf	You're A Wolf
Bright Eyes	Four Winds
Lucinda Williams	What If
Done Anker	Mes Anciens Inconnus
Neil Young	Unknown Legend
Cousteau	Talking To Myself
The Killers	For Reasons Unknown
Scissors To Lefty	Lay Down Your Weapons
Edgar Jones	Necessary Evil
Jem	Save Me
Young and Sexy	Your Enemy's Asleep
Norwenn Leroy	Une Femme CachTe
Imogen Heap	Hide and Seek

Comment:

Michael Haneke is an Austrian filmmaker and writer best known for his bleak and disturbing style. His films often document problems and failures in modern society. Haneke has worked in television, theater and cinema. He is also known for raising social issues in his work.

In this excerpt from an interview, Haneke expounds on his process. My films are intended as polemical statements against the American "barrel down" cinema and its dis-empowerment of the spectator. They are an appeal for a cinema of insistent questions instead of false (because too quick) answers, for clarifying distance in place of violating closeness, for provocation and dialogue instead of consumption and consensus.

This mix serves as a soundtrack to Haneke's body of work to date, specifically the cinema portion of it. He's currently in production of "Das Wiese Band," scheduled for release next year. None of the songs appeared on the official soundtrack albums with the exception of Schubert's e-flat piano sonata from "The Piano Teacher," which begins the mix. The other 20 songs are simply ones that I felt could have represented one or another of his movies. And those are ...



1989's "The Seventh Continent," which served to trace out the violent and bold style that would bloom in later years. It concerns a family, that consists of an engineer, an optician (his wife) and their daughter, who have a sudden decision to destroy their lives without any apparent reason. The film only implies some of their nervous depression and isolation in modern repetitive life. The continent is an imaginary one in the their minds.
In 1992, the controversial "Benny's Video" put Haneke's name on the map. The plot of the film centers on Benny (Arno Frisch), a teenager who views much of his life as distilled through video images, and his well-to-do parents (Anna (Angela Winkler) and Georg (Ulrich Mnhe)), who enable Benny's focus on video cameras and images.
"Funny Games" (1997) is an experimental horror film. The plot involves two sociopaths who hold a family hostage and torture them with sadistic games.
"Code Unknown:" Incomplete Tales of Several Journeys is a 2000 film where the plot centers in Paris (also Mali and Romania). The fates of several characters intersect and connect.
In "CachT," Georges (Daniel Auteuil) is a successful host of a TV program about books, who lives with his wife Anne (Juliette Binoche), a book publisher, and their son Pierrot (Lester Makedonsky). The family's comfortable bourgeois life is threatened when mysterious videotapes start arriving on their doorstep. The tapes show surveillance of their home. At first they seem relatively harmless, but later videos are accompanied by crude, disturbing crayon drawings. Little by little, the tapes bring out disquieting information about events in Georges' childhood. Georges hides as much about these events as possible from everyone, including Anne.
A disaster of some type has occurred in "Time of the Wolf," of which the audience only knows that uncontaminated water is scarce and livestock have to be burned. Fleeing the city, a family arrives at their country home, hoping to find refuge and security, only to discover that it is already occupied by strangers. Georges is killed and most of the family's belongings are seized. The film follows the remaining family members as they seek shelter and food in a world without government or laws.
Lastly, "The Piano Teacher" is a professor at a Vienna music conservatory. Although she is in her 30s, she still lives with her domineering mother (Annie Girardot). Erika is only able to 'feel' by exacting cruel punishment on her students, whom she secretly detests. She destroys the musical prospects of a talented girl by hiding shards of glass inside of her coat pockets. Behind her icy fatade, Erika is a sexually-repressed woman with a long list of sadomasochistic fetishes.

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