Artist	Song
Roy Milton And His Solid Se_nders	True Blues (1947 #4)
Sonny Thompson	Long Gone (Parts I) (1948 #1)
Louis Jordan And His Tympany Five	Every Man To His Own Profession (1949 #10)
Erskine Hawkins And His Orchestra	Hawk's Boogie (1947 #2)
Amos Milburn	Roomin' House Boogie (1949 #1)
Mills Brothers	Across The Alley From The Alamo (1947 #2)
Amos Milburn	A&M Blues (1949 #9)
Gene Ammons	Red Top (1947 #3)
King Cole Trio	What'll I Do (1948 #8)
Jimmy Liggins And His Dr_ops Of Joy	Don't Put Me Down (1949 #9)
Louis Jordan And His Tympany Five	We Can't Agree (1948 #14)
Blue Lu Barker	A Little Bird Told Me (1949 #4)
Joe Liggins	Dripper's Boogie (1946)
Mills Brothers	S-H-I-N-E (1948 #10)
Louis Jordan And His Tympany Five	Run Joe (1948 #1)
'Stick' McGhee And His Buddies	Drinking Wine, Spo Dee O Dee (1949 #2)
Camille Howard Trio	X Temperaneous Boogie (1948 #7)
Memphis Slim & His Rockers	Firsco Bay (1949 #11)
Pee Wee Crayton & His Guitar	I Love You So (1949 #6)
Jimmy Witherspoon	Ain't Nobody's Business (Parts 1 & 2) (1949 #1)
Louis Jordan & His Tympany Five	I Like 'Em Fat Like That (1947 #5)
Louis Jordan & His Tympany Five	Jack, You're Dead (1947 #1)
Duke Ellington	Don't Be So Mean to Baby ('Cause Baby's So Good to You) (1948 #15)
Dinah Washington	It's Too Soon to Know (1948 #2)
King Cole Trio	Meet Me at No Special Place (1947 #3)
Joe Liggins	The Darktown Strutter's Ball (1948 #7)
Louis Jordan & His Tympany Five	Pinetop's Boogie Woogie (1948 #14)

Comment:

This and the last part of this mix were aided by the mixmeister program. With it I roughly sorted songs by their beats per minute. This part is a bit slower/mellower than the first part. This part also contains a track (#13) that was actually issued in 1946 (it was confused with "Dripper's Blues" by the same artist that peaked in 1948). Again, this mix is dedicated to Rockin' Jim, who was born in 1947. Unfortunately his program rarely plays anything from this period. The R&B he plays these days is usually in the late '50s to late '60s (and he sometimes gets into the early '50s). He says there just isn't enough public interest in this earlier stuff, but he of course still appreciates it (as do I and I hope you all).

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