Side A
Artist	Song
Bullet LaVolta	Rails
from Swandive (1991)
The Cult	The Phoenix
from Love (1985)
King's X	We Are Finding Who We Are
from Faith Hope Love (1990)
Wolfmother	Woman
from Wolfmother (2006)
David Bowie	DJ
from Lodger (1979)
ZZ Top	I Thank You
from Deguello (1979)
Pearl Jam	Faithfull
from Yield (1998)
Cream	N.S.U.
from Fresh Cream (1966)
Kings Of Leon	Soft
from Aha Shake Heartbreak (2004)
Aerosmith	Get A Grip
from Get A Grip (1993)
Foreigner	Juke Box Hero
from 4 (1981)
The Sweet	Little Willy
from Funny How Sweet Co-Co Can Be [1971] [bonus track] (1972)
Black Sabbath	Air Dance
from Never Say Die! (1978)
Audioslave	Until We Fall
from Revelations (2006)
The Byrds	5D (Fifth Dimension)
from Fifth Dimension (1966)
Bob Dylan	If You Gotta Go, Go Now (Or Else You Got To Stay All Night)
from The Bootleg Series Volumes 1-3 (Rare & Unreleased) 1961-1991 [1991 box set] (1965)
Peter Hammill	Easy To Slip Away
from Chameleon In The Shadow Of The Night (1973)
Saigon Kick	Come Take Me Now
from Saigon Kick (1991)
Gamma (w / Ronnie Montrose)	Voyager
from Gamma 2 (1980)
Patti Smith	Come Back Little Sheba
from Land (1975-2002) [2002 compilation] (1996)
Side B
Artist	Song	Buy
The Dead Boys	Detention Home (live)
from Night Of The Living Dead Boys [1981] (1979)
The Fluid	Cop A Plea
from Roadmouth (1989)
Mott The Hoople	Your Own Backyard
from Brain Capers (1972)
The Police	Friends
from Message In A Box: The Complete Recordings [1993 box set] (1980)
Queens Of The Stone Age	Someone's In The Wolf
from Lullabies To Paralyze (2005)
Captain Beefheart & His Magic Band	Abba Zaba
from Safe As Milk (1967)
Ozzy Osbourne	The Almighty Dollar
from Black Rain (2007)
Faith No More	Arabian Disco
from We Care A Lot (1985)
Radiohead	Weird Fishes/Arpeggi
from In Rainbows (2007)
Blue Oyster Cult (+ Patti Smith)	The Revenge Of Vera Gemini
from Agents Of Fortune (1976)
Soundgarden	She Likes Surprises
from Alive In The Superunknown [EP] (1995)
Mark Lanegan	Wild Flowers
from The Winding Sheet (1990)
Danzig	Sistinas
from Danzig III: How The Gods Kill (1992)
Metallica	Prince Charming
from Reload (1997)
Alice In Chains	I Know Somethin' ('Bout You)
from Facelift (1990)
Van Halen	Women In Love...
from Van Halen II (1979)
Warrior Soul	If You Think You're Bad
from Odds And Ends [1996 compilation] (1990)
KISS	Black Diamond
from KISS (1974)

Comment:

Wow! Yet another quintuple-elimination! (#173 - 5/28/09):
Black Sabbath - "Never Say Die!" (1978)
Peter Hammill - "Chameleon In The Shadow Of The Night" (1973)
Mott The Hoople - "Brain Capers" (1972)
Alice In Chains - "Facelift" (1990)
Van Halen - "Van Halen II" (1979)
NOTE: I've decided that from now on I'm NOT going to fully capitalize the bands/artists' names anymore, just because it looks kind of...well...a bit blocky and undifferentiated, actually not quite as legible, and - truth be told - more than just a little overly bombastic-looking! :-)

"DJ" < "I Thank You" - (Isaac Hayes R.I.P.) Yeah, I guess it's kind of unexpected, but I just thought that rhythmically they kind of flowed together!

"Friends" - This little-known Police number was originally the B-side to "Don't Stand So Close To Me" (in the U.S.) and "De Do Do Do, De Da Da Da" (in the U.K.). Yet another of those quirky, eccentric oddities from the mind of guitarist Andy Summers (who also sings), it would superficially appear to refer to cannibalism, but it was actually inspired by the practice of "grokking" from Robert A. Heinlein's 1961 sci-fi novel "Stranger In A Strange Land"!

"Someone's In The Wolf" < "Abba Zaba" - Another of those offbeat, unexpected transitions I like to think of as my "speciality"! ;-)

"Arabian Disco" < "Weird Fishes/Arpeggi" < "The Revenge Of Vera Gemini" - Yup! That's right, it's my favorite triple-bill once again! Actually it didn't occur to me at the time, but the line "Oh no more horses, horses / We're gonna swim like a fish" from "The Revenge Of Vera Gemini" is highly appropriate coming after Radiohead's "Weird Fishes/Arpeggi"!

"Sistinas" - Even though Glenn Danzig has this reputation as a dark and sinister modern punk/metal icon, many aspects of his singing style harken back to old-school rock 'n' roll vocalists such as Elvis Presley and Roy Orbison. This gentle ballad from the third Danzig disc serves as a prime example of Glenn's '50s/'60s crooning style, so much so that in some alternate universe it may have stood a chance at being a mainstream crossover hit! (Although strictly speaking, it's not overly commercial, and Glenn's image is probably way too threatening for the pop mainstream in any case!)

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