Other Mixes By Logos Invictus
Geist: The Sin-Eaters Playlist
| Artist | Song | |
| Nick Cave & The Bad Seeds | Easy Money | |
| from The Lyre of Orpheus (2004) It's easy to get what you want, as long as you're willing to pay the price. | ||
| O Pato | Stan Getz and Charlie Byrd | |
| from Jazz Samba (1962) Jazz-Samba, perfect for a low key Wake. | ||
| Breath of Ghosts | Assemblage 23 | |
| from Addendum (2001) Atmospheric piece, perfect for a dank nightclub. | ||
| Samba de Uta Nomba So | Stan Getz and Charlie Byrd | |
| from Jazz Samba (1962) Another Samba piece, slightly more raucous than O Pato. Perfect, again, for a Wake. | ||
| Let Me Be Your Armor | Assemblage 23 | |
| from Addendum (2001) A ghost worming its way into the life of an unfortunate mortal. | ||
| Bedlam Ballroom | Squirrel Nut Zippers | |
| An upbeat ballroom swing piece. Best for a fast paced comedic scene due to its almost Keystone Cops feel. Also good for truly wild Flesh Fairs. | ||
| Heroin (A Drug Called Horse Mix) | Billy Idol | |
| from Cyberpunk (1993) Everyone has their own monkeys riding on their backs, Sin-Eaters moreso than most. | ||
| Un Fantasma Tra Noi | Lacuna Coil | |
| from Lacuna Coil [EP] (1998) | ||
| The Night Pat Murphy Died | Great Big Sea | |
| from Traditional Encompasses the reaction of many Sin-Eaters to death - celebrating the life of the person who passed rather than mourning it's end. | ||
| Caught a Lite Sneeze | Tori Amos | |
| from Boys for Pele (1996) A song about desperately clinging to something you've already lost. | ||
| The Noose | A Perfect Circle | |
| from Thirteenth Step (2003) Like most of this album, the Noose is about making amends, about addiction and how we can hurt those around us, and those who rely on us, simply by not taking responsibility. | ||
| The Hollow | A Perfect Circle | |
| from Mer De Noms (2000) The lyrics talk about what it's like to give too much of oneself for other's desires. Appropriately, this creates a dichotomy with "The Noose" that is important for Sin-Eaters - the balance between living for oneself and living for others. | ||
| With My Sorrows | Black Tape for a Blue Girl | |
| from With My Sorrows (1997) Passion and subtle intensity create a sort of anthem for the way that Sin-Eaters cling to life in the face of death. | ||
| Ave Maria | Bach/Charles Gounod | |
| from Classical Piece (1859) A beautiful atmospheric piece, appropriate given the religious bent that many Sin-Eaters possess. | ||
| The End | PJ Harvey | |
| from Uh Huh Her (2004) A simple but evocative guitar piece. Good to play over a session's epilogue. | ||
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