Side A
Artist	Song
Richard Strauss [Ernest Bour conducting the Sudwesfunk Orchestra]	Also Sprach Zarathustra (Thus Spake Zarathustra) (Introduction) [instrumental]
from 2001: A Space Odyssey [O.S.T.: V/A] (1968)
Jerry Goldsmith	Star Trek: The Motion Picture (End Title) [instrumental]
from Star Trek: The Motion Picture [O.S.T.: V/A] (1979)
Gene Roddenberry & Alexander Courage	Star Trek Theme [instrumental]
from Inside Star Trek With Gene Roddenberry (1976)
Beastie Boys	Sabotage
from Ill Communication (1994)
Extreme	Pornograffitti
from Extreme II: Pornograffitti (1990)
John Lennon	#9 Dream
from Walls And Bridges (1974)
Genesis	Tonight, Tonight, Tonight [Edit]
from Invisible Touch (1986)
Oasis	Cast No Shadow
from (What's The Story) Morning Glory? (1995)
The Guess Who	Heartbroken Bopper
from Rockin' (1972)
Wolfmother	In The Morning
from Cosmic Egg (2009)
Ludwig Van Beethoven	Symphony No. 9 In D Minor: 2nd Movement (Abridged) [instrumental]
from A Clockwork Orange [O.S.T.: V/A] (1971)
David Johansen	Marquesa De Sade
from Here Comes The Night (1981)
Hanoi Rocks	Menaced By Nightingales
from Lean On Me [compilation] [1992] (1985)
Talking Heads	Heaven
from Fear Of Music (1979)
Eurythmics	17 Again
from Peace (1999)
Gene Loves Jezebel	Josephina
from Heavenly Bodies (1993)
Slade	(And Now The Waltz) C'est La Vie
from Keep Your Hands Off My Power Supply [U.S.] (1984)
Johann Strauss [Herbert Von Karajan conducting The Berlin Philharmonic]	The Blue Danube [instrumental]
from 2001: A Space Odyssey [O.S.T.: V/A] (1968)
Side B
Artist	Song	Buy
Jack Nitzsche / Krzysztof Penderecki	Iraq [instrumental]
from The Exorcist [O.S.T.: V/A] (1973)
Jack Nitzsche [+ Merry Clayton]	Performance [instrumental]
from Performance [O.S.T.: V/A] (1970)
The Last Poets	Wake Up, Niggers
from Performance [O.S.T.: V/A] (1970)
Motley Crue	Five Years Dead
from Girls, Girls, Girls (1987)
Suzi Pinns	Jerusalem
from Jubilee [O.S.T.: V/A] (1978)
Cream	Pressed Rat And Warthog
from Wheels Of Fire (1968)
The Cramps	Surfin' Dead
from The Return Of The Living Dead [O.S.T.: V/A] (1985)
Rick Wakeman [Antonin Dvorak]	Eastern Shadows [instrumental]
from Crimes Of Passion (1984)
Pantera	Live In A Hole
from Vulgar Display Of Power (1992)
Wendy Carlos [Ludwig Van Beethoven]	Suicide Scherzo (Symphony No. 9 In D Minor: 2nd Movement, Abridged) [instrumental]
from A Clockwork Orange: Complete Original Score (1972)
The Who	I've Been Away
from A Quick One [bonus track] (1966)
Klaus Badelt	Gourmet Valse Tartare [instrumental]
from Hannibal [O.S.T.: Hans Zimmer + V/A] (2001)
Leonard Cohen	Take This Waltz
from I'm Your Man (1988)
John Morris	John Merrick And Psalm [instrumental]
from The Elephant Man [O.S.T.] (1980)
Gamma [w / Ronnie Montrose]	Wish I Was
from Gamma 1 (1979)
Accept	Bound To Fail
from Metal Heart (1985)
Eric Burdon & War	Nights In White Satin
from The Black-Man's Burdon (1970)
Simon Fisher Turner	I Love You More Than My Eyes [instrumental]
from Caravaggio 1610: Sound Skeches For Michele Of The Shadows [O.S.T.] (1986)
The Smiths	Asleep
from The World Won't Listen [compilation] [1987] (1986)
Richard Strauss [Herbert Von Karajan conducting The Vienna Philharmonic]	Also Sprach Zarathustra (Thus Spake Zarathustra) (Introduction) [instrumental]
from 2001: A Space Odyssey [O.S.T.: V/A] (1968)

Comment:

This mix was originally submitted to Zen Running Order on May 15, 2010. The original notes and comments are as follows:

Darth Pazuzu (05-15-2010):
"Is there a problem, officer?" "Citizen, what is your name?" "My name is James Tiberius Kirk!"

I trust I don't really have to explain the...(*AHEM*)...logic behind the sequencing of Tracks 2-4 on DISC #1, do I? ;-)

Well, this has certainly been a long time in the making! It's my first all-new mix posting in...well, quite a while now! The primary reason for such an extended delay is that I had ordered a copy of the soundtrack CD for Derek Jarman's "Caravaggio" (1986), composed by Simon Fisher Turner, and for some reason it took an eternity to arrive. After finishing up with MIX #237, I had intended to use certain musical pieces from "Caravaggio" at key points in several later mixes, but because the CD was a long time coming I had to delay the finalizing of this particular mix and skip ahead to #239! But now that "Caravaggio" has finally arrived, the floodgates have opened and you can expect quite a few brand new mix postings in the future! Lucky you... ;-)

Well, as you can plainly see, this one's quite...how shall I say?...cinema-heavy! In fact, I'd say this has probably got to set some sort of all-time personal record for the number of soundtrack tunes I've used in a single mix! We've got tracks from "2001: A Space Odyssey" (Stanley Kubrick; 1968), "Star Trek: The Motion Picture" (Robert Wise; 1979), "A Clockwork Orange" (Kubrick again; 1971), "The Exorcist" (William Friedkin; 1973), "Performance" (Donald Cammell and Nicolas Roeg; 1970), "Jubilee" (Derek Jarman; 1978), "The Return Of The Living Dead" (Dan O'Bannon; 1985), "Crimes Of Passion" (Ken Russell; 1984), "Hannibal" (Ridley Scott; 2001), "The Elephant Man" (1980), and "Caravaggio" (Jarman again; 1986)! This probably gives you some sort of idea not only of my musical tastes, but of my cinematic ones as well. In the past, I've used quite a few soundtrack cuts from films directed or written by Quentin Tarantino as well!

Even though I hadn't really planned it as such, there is something of a "Heaven and Hell" motif going on between the two discs of this collection. You might say that DISC #1 is "Heaven" and DISC #2 could be "Hell". There are two different versions of the Scherzo from Beethoven's Ninth Symphony - an abridged version of the orchestral on DISC #1 (the definition of heavenly bliss for "A Clockwork Orange" protagonist Alex) and Wendy Carlos' electronic version of the same on DISC #2 (signifying its horrific transformation into a form of torture for Alex). Also, we have Johann Strauss' "Blue Danube" closing out the first disc, while on DISC #2 we have Klaus Badelt's "Gourmet Valse Tartare" from the "Hannibal" soundtrack (which we hear playing when Hannibal Lecter is brought captive before the hideously disfigured Mason Verger). The latter piece, of course, is meant to sound like the Strauss waltz gone horribly, horribly wrong! (Ha, ha, ha!)

"(And Now The Waltz) C'est La Vie)" / "I've Been Away" / "Take This Waltz" - And speaking of waltzes...! ;-) Well, I simply thought that these would tie in with the whole "Blue Danube" motif rather nicely. The Who's "I've Been Away," by the way, is a '66 B-side written and sung by their late bassist John Entwistle. It's a charming, humorous little ditty (in waltz time) about some poor schmuck who gets framed by his brother Bill for stealing money from the till and is sent to prison for it. ("It was no use, they put my brother on the jury / He bribed the others 'cause he owns the local brewery!")

"Heaven" < "17 Again" - Although it wasn't intended as such, you could say there's a bit of a "Clockwork Orange" joke in the sequencing of these two titles! (Ha, ha, ha...)

To be continued in the Feedback section (due to lack of space)... :-(

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