Artist	Song
The Cure	The Same Deep Water as You (Band Demo)
Final song provided titles for both films.
Joy Division	Digital
This song illustrates the binary nature of the short film in how it alternates between the "bright side" and the "dark side".
The Postal Service	Such Great Heights
This is the first song of the "bright side".
Pink Floyd	Yet Another Movie
This is the first song of the "dark side". From then on, it will alternate between the two.
U2	Promenade
Gary Numan	Conversation
Vangelis	Glorianna (Hymn a la Femme)
Ween	Laura
This Mortal Coil	Another Day
This is a stretch as far as depicting the "bright side" as this is about a meeting after a breakup. However, this does provide a nice way to wrap the mix.
Orchestral Manoeuvres in the Dark	The Misunderstanding
Gary Numan	Engineers (Demo Version)
Final song provided titles for both films.
The Cure	If Only Tonight We Could Sleep
Kraftwerk	Computer Love
Joy Division	Exercise one
Jonny Greenwood	Splitter
Squarepusher	Chin Hippy
Tweaker	Microsize Boy
Vangelis	Moxica and the Horse
Liars	Scarecrows on a Killer Slant
The Alan Parsons Project	Genesis Ch.1 V.32
Joy Division	Chance (Atmosphere) (Piccadilly radio)
Final song provided titles for both films. ("Aching to see" is one way to hear the phrase "Naked to see".)
Gary Numan	Airlane
Nine Inch Nails	Heresy
The Cure	One Hundred Years
Estonian Philharmonic Chamber Choir [Arvo Pärt]	Salve Regina
The Robert Shaw Festival Singers [Sergei Rachmaninoff]	All-Night Vigil: Lord, now lettest Thou (Kiev Chant)
This is also known as "St. Simeon's Prayer" and it is sung at the end of Vespers.
Vangelis/Irene Papas	The Beauty of Your Virginity and the Splendor of Your Purity
This is the concluding kathisma for the Akathist Hymn to the Theotokos, typically sung during Lenten Fridays.
Lycia	Pray
The The	Phantom Walls
The Other People Place	Sunrays

Comment:

The idea of the "mini-triptych" is to make a short film equivalent to "The Relationship Triptych" with each short film corresponding thematically to its parent film.

01-10 are for Reflections Meet (parent film is On Nights Like This)
11-20 are for Hate and Machinery (parent film is All That We Are)
21-30 are for Aching to See (parent film is Walk in Silence)

The first song in each grouping is a demo version of the song that provided its parent film's title and is technically not considered part of the separate playlist. Everything else after it is (so nine songs total).

Feedback: