Other Mixes By abangaku
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Rock - Prog-Rock/Art Rock

CD
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Theme - Narrative

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Mixed Genre

CD
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Rock - Prog-Rock/Art Rock

I Used To Know But Now I'm Believin'
Artist | Song | |
Incredible String Band | Nightfall | |
from The Hangman's Beautiful Daughter (1968) 2:31 | ||
Incredible String Band | Way Back In The 1960s | |
from The 5000 Spirits Or The Layers Of The Onion (1967) 3:10 | ||
Incredible String Band | Job's Tears | |
from Wee Tam (1968) 6:46 | ||
Incredible String Band | Witches Hat | |
from The Hangman's Beautiful Daughter (1968) 2:31 | ||
Incredible String Band | No Sleep Blues | |
from The 5000 Spirits Or The Layers Of The Onion (1967) 3:51 | ||
Incredible String Band | The Half-Remarkable Question | |
from Wee Tam (1968) 5:04 | ||
Incredible String Band | The Minotaur's Song | |
from The Hangman's Beautiful Daughter (1968) 3:18 | ||
Incredible String Band | The Eyes Of Fate | |
from The 5000 Spirits Or The Layers Of The Onion (1967) 4:00 | ||
Incredible String Band | Koeeoaddi There | |
from The Hangman's Beautiful Daughter (1968) 4:45 | ||
Incredible String Band | The Mad Hatter's Song | |
from The 5000 Spirits Or The Layers Of The Onion (1967) 5:38 | ||
Incredible String Band | The Yellow Snake | |
from Wee Tam (1968) 2:08 | ||
Incredible String Band | Blues For The Muse | |
from The 5000 Spirits Or The Layers Of The Onion (1967) 2:47 | ||
Incredible String Band | Waltz Of The New Moon | |
from The Hangman's Beautiful Daughter (1968) 5:07 | ||
Incredible String Band | The Water Song | |
from The Hangman's Beautiful Daughter (1968) 2:50 | ||
Incredible String Band | First Girl I Loved | |
from The 5000 Spirits Or The Layers Of The Onion (1967) 4:53 | ||
Incredible String Band | Three Is A Green Crown | |
from The Hangman's Beautiful Daughter (1968) 7:42 | ||
Incredible String Band | My Name Is Death | |
from The 5000 Spirits Or The Layers Of The Onion (1967) 2:44 | ||
Incredible String Band | Ducks On A Pond | |
from Wee Tam (1968) 9:11 |
Comment:
When I think of the musical promise of the first blush of hippiedom — before the psych-rockers solidified into the structural ecstasy of prog — there are two names that come to mind, both with their roots in Scotland: Donovan and the Incredible String Band. Donovan made hippie pop like no one else did, while the Incredible String Band played experimental music that, though bizarre, still somehow managed to catch onto the spiky end of the charts.The first I heard of the Incredible String Band was after hearing an amazing Van Morrison track titled "For Mr. Thomas", which turned out to be written by one Robin Williamson. As Neil Young had his Buffalo Springfield in the sixties and Peter Gabriel his Genesis, then, Robin Williamson had his Incredible String Band, the core of which was the duo of Williamson and the more pop-oriented Mike Heron. Heron isn't important in this mix: all eighteen tracks here are Williamson songs, and, in fact, represent every one of Robin's contributions to three consecutive ISB albums: The 5000 Spirits Or The Layers Of The Onion (1967), The Hangman's Beautiful Daughter (1968) and Wee Tam (1968). Together, these two years represent the band's most critically and commercially successful period.
And they were out there. Between the ISB's first album and 5000 Spirits, Williamson rambled over to Morocco, where he learned the local trick of singing in microtones, still the only Western singer I know of of anything approaching pop to do so. The fact that the ISB was one of the direct forerunners of prog can be seen in extended Williamson suites like "Job's Tears" or "Ducks On A Pond" (the most humbly titled rock-universe epic ever), except, one, the ISB (at least at this stage) weren't a rock band, and, two, they were *looser* than prog. Williamson and Heron dabbled in many instruments, and, at least on a few of these tracks, there's some practical free improv going on.
My working title for this mix was "Hippie Trail To Hubbardite", because during the simultaneous recording of Wee Tam and its successor The Big Huge, Williamson and Heron converted to Scientology, which, in the eyes of many, shut their songwriting creativity right down. But, instead, I decided to go with a quote from "No Sleep Blues" for the title. As as close to a hippie avatar as I know aught of, Robin Williamson could know everything just by sitting and considering. It's when he started *believing* that things went wrong!
