Artist	Song
Harry Connick, Jr.	Let's Just Kiss
from To See You (1997)
Harry Connick, Jr.	There Once Was a Man
from Harry on Broadway, Act I (2006)
Harry Connick, Jr.	How Do Ya'll Know
from Star Turtle (2008)
Harry Connick, Jr.	Something You Got
from Oh, My Nola (2007)
Harry Connick, Jr.	On the Atchison, Topeka and the Santa Fe
from 25 (1992)
Harry Connick, Jr.	Way Down Yonder In New Orleans
from Eleven (1992)
Harry Connick, Jr.	Good to Be Home
from Occasion: Connick on Piano 2 (2010)
Harry Connick, Jr.	To Love The Language
from She (1994)
Harry Connick, Jr.	How Insensitive
from In Concert On Broadway (2011)
Harry Connick, Jr.	A New Town Is a Blue Town
from Harry on Broadway, Act I (2006)
Harry Connick, Jr.	Dance of the Sugarplum Fairies
from What a Night! - A Christmas Album (2008)
Harry Connick, Jr.	All the Way
from Your Songs (2009)
Harry Connick, Jr.	Do-Re-Mi
from Songs I Heard (2001)
Harry Connick, Jr.	A Nightingale Sang In Berkeley Square
from We Are In Love (1990)
Harry Connick, Jr.	Charade
from Come By Me (1999)
Harry Connick, Jr.	Oh! Ain't That Sweet
from Other Hours: Connick On Piano Vol 1 (2010)
Harry Connick, Jr.	Occasion
from Occasion: Connick on Piano 2 (2010)
Harry Connick, Jr.	I'm an Old Cowhand (From the Rio Grande)
from 25 (1992)
Harry Connick, Jr.	Nature Boy
from Harry for the Holidays (2003)
Harry Connick, Jr.	Heart Beyond Repair
from To See You (1997)
Harry Connick, Jr.	I Still Get Jealous
from Chanson Du Vieux Carré (2009)
Harry Connick, Jr.	What a Night!
from What a Night! - A Christmas Album (2008)
Harry Connick, Jr.	Bayou Maharajah
from In Concert On Broadway (2011)
Harry Connick, Jr.	To See You
from To See You (1997)
Harry Connick, Jr.	There Is Always One More Time
from 30 (2001)

Comment:

Harry Connick, Jr.’s cool, caressing croon crossed him over from jazz journeyman to pop star, but his piano wizardry earns plenty of acclaim on its own. He blows bebop kisses to Tchaikovsky’s dreamy, tinsel-toed “Dance of the Sugarplum Fairies,” and lets the Big Easy blues drive his digits across the ivories on “Bayou Maharajah.” And when Connick lets his Monkish moves and salty, sideways harmonies dance a twisting, twirling tango across the steady-swingin’ shuffle of “Oh! Ain’t That Sweet,” he proves he could’ve carved out a princely career without ever singing a lick.

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