Artist	Song
John Alldis, John Alldis Choir, London Philharmonic Orchestra, Luciano Pavarotti, Russell Burgess, Wandsworth School Boys Choir & Zubin Mehta	Turandot: Nessun dorma!
from The Pavarotti Edition, Vol. 5: Puccini (2001)
Chorus of the Royal Opera House, Covent Garden, Eric Garrett, Luciano Pavarotti & Richard Bonynge	La Fille Du Régiment: "Ah Mes Amis - Pour Mon Âme"
from Luciano Pavarotti - The Best (2005)
London Symphony Orchestra, Luciano Pavarotti & Richard Bonynge	Rigoletto: La donna é mobile
from The Essential Pavarotti (1990)
Dame Joan Sutherland, Luciano Pavarotti, National Philharmonic Orchestra of London, Richard Bonynge & The London Opera Chorus	La Traviata: "Libiamo Ne'lieti Calici (Brindisi)
from Luciano Pavarotti - The Best (2005)
Leone Magiera, Luciano Pavarotti & Royal Philharmonic Orchestra	Tosca: E lucevan le stelle
from The Essential Pavarotti (1990)
Anton Guadagno, Coro del Teatro Comunale di Bologna, Luciano Pavarotti & Orchestra del Teatro Comunale di Bologna	Funiculì, funiculà
from The Essential Pavarotti (1990)
Luciano Pavarotti & National Philharmonic Orchestra of London	Ave Maria: Arr. from Bach's Prelude No.1 BWV 846
from Luciano Pavarotti: O Holy Night (1991)
Giancarlo Chiaramello, Luciano Pavarotti & National Philharmonic Orchestra of London	O sole mio
from The Essential Pavarotti (1990)
Luciano Pavarotti, National Philharmonic Orchestra of London & Richard Bonynge	Il Trovatore: "Di quella pira"
from The World of Verdi (1992)
Berliner Philharmoniker, Herbert von Karajan & Luciano Pavarotti	La Bohème: Act I, "Che gelida manina"
from Puccini: La Bohème (1987)
Henry Mancini, Luciano Pavarotti & Orchestra del Teatro Comunale di Bologna	Nel Blu, Dipinto Di Blu
from Luciano Pavarotti - The Best (2005)
English Chamber Orchestra, Luciano Pavarotti & Richard Bonynge	L'elisir D'amore: "Una Furtiva Lagrima"
from Luciano Pavarotti: Donizetti Arias (1998)
Luciano Pavarotti, National Philharmonic Orchestra of London & Kurt Herbert Adler	Ave Maria, "Ellens Gesang III", D839
from Pavarotti Studio Albums (2007)
Leone Magiera, Luciano Pavarotti & Wiener Volksopernorchester	Pagliacci: Vesti la giubba
from The Essential Pavarotti (1990)
Luciano Pavarotti, National Philharmonic Orchestra of London & Oliviero de Fabritiis	Manon Lescaut: "Donna Non Vidi Mai"
from Luciano Pavarotti - The Best (2005)
Leone Magiera, Luciano Pavarotti & Wiener Volksopernorchester	Aida: "Se Quel Guerrier Io Fossi!"..."Celeste Aida"
from Pavarotti: Verdi Arias (1999)
Carmen Gonzales, Gianandrea Gavazzeni, Luciano Pavarotti, National Philharmonic Orchestra of London & The London Opera Chorus	Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi)
from The Pavarotti Edition, Vol. 6: Puccini, Mascagni & Leoncavallo (2001)
José Carreras, Luciano Pavarotti, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell'Opera di Roma, Plácido Domingo & Zubin Mehta	'O sole mio
from The Three Tenors - The Best of the 3 Tenors (2002)
English Chamber Orchestra, Luciano Pavarotti & Richard Bonynge	L'elisir d'amore: "Quanto è bella"
from The Pavarotti Edition, Vol. 1: Donizetti (2001)
James Levine, Luciano Pavarotti & Metropolitan Opera Orchestra	Rigoletto: "Questa O Quella" (Ballata) (Duca)
from Verdi: Rigoletto (1998)
Luciano Pavarotti, Sir Georg Solti & Wiener Philharmoniker	Messa Da Requiem: II. Ingemisco
from O Holy Night (2005)
London Symphony Orchestra, Luciano Pavarotti & Richard Bonynge	Rigoletto: Act II, "Ella mi fu rapita...Parmi veder le lagrime"
from Verdi: Rigoletto (1985)
Peter Mang, Orchestra e Coro di Torino della RAI & Luciano Pavarotti	"Luisa Miller", Atto Secondo: Oh! Fede negar potessi (Rodolfo)
from Giuseppe Verdi: Luisa Miller (2003)
Luciano Pavarotti	Caro Mio Ben
from Ave Maria (2008)
Leone Magiera, Luciano Pavarotti & Wiener Volksopernorchester	Carmen: La fleur que tu m'avais jetée
from The Essential Pavarotti (1990)

Comment:

Even before joining with Jose Carreras and Placido Domingo in the legendary Three Tenors, Luciano Pavarotti personified the definition of international superstar. A man of outsized passions and equally outsized talent, Luciano was central casting's idea of the model tenor: a big man whose white handkerchief hid the lozenges that salved that most refined of instruments, his throat. When he let loose with "Rigoletto: 'La Donna È Mobile'" or "O sole mio," though, you'd swear that throat had been drop-forged in carbon steel.

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