Artist	Song
The Black Keys	Tighten Up
from Brothers (Deluxe Version) (2010)
The Black Keys	I Got Mine
from Attack & Release (2008)
The Black Keys	Strange Times
from Attack & Release (2008)
The Black Keys	Have Love Will Travel
from Thickfreakness (2003)
The Black Keys	Your Touch
from Magic Potion (2006)
The Black Keys	Everlasting Light
from Brothers (Deluxe Version) (2010)
The Black Keys	When the Lights Go Out
from Black Snake Moan (2007)
The Black Keys	You're the One
from Magic Potion (2006)
The Black Keys	Lies
from Attack & Release (2008)
Dan Auerbach	When the Night Comes
from Keep It Hid (2009)
The Black Keys	10. A.M. Automatic
from Rubber Factory (2004)
The Black Keys	Have Mercy On Me
from Chulahoma (2006)
The Black Keys	Howlin' for You
from Brothers (Deluxe Version) (2010)
The Black Keys	Just Got to Be
from Live At Lollapalooza 2007: The Black Keys - EP (2007)
The Black Keys	Strange Desire
from Magic Potion (2006)
The Black Keys	Psychotic Girl
from Attack & Release (2008)
The Black Keys	Set You Free
from Thickfreakness (2003)
The Black Keys	Next Girl
from Brothers (Deluxe Version) (2010)
Dan Auerbach	Heartbroken, In Disrepair
from Keep It Hid (2009)
BlakRoc	Ain't Nothing Like You (Hoochie Coo) [feat. Jim Jones & Mos Def]
from BlakRoc (2009)
The Black Keys	Girl Is On My Mind
from Rubber Factory (2004)
The Black Keys	Thickfreakness
from Thickfreakness (2003)
The Black Keys	Busted
from The Big Come Up (2008)
The Black Keys	The Wicked Messenger
from I'm Not There (Original Soundtrack) [Bonus Track Version] (2007)
The Black Keys	No Trust
from Thickfreakness (2003)
The Black Keys	Grown So Ugly
from Rubber Factory (2004)
The Black Keys	Meet Me In the City
from Chulahoma (2006)
BlakRoc	What You Do to Me (feat. Billy Danze, Jim Jones & Nicole Wray)
from BlakRoc (2009)
Dan Auerbach	Trouble Weighs a Ton
from Keep It Hid (2009)
The Black Keys	I'll Be Your Man
from The Big Come Up (2008)

Comment:

Sometimes all you need to make a great rock record are rail-jumping riffs, a steam-powered rhythm section, and a born-to-be-wild attitude — the kind you can’t fake, the kind that reeks of gasoline and pure grit. Just ask the Black Keys, Akron’s answer to the White Stripes and the sort of scratchy, dusty blues records that line your grandfather’s living room floor. Or as frontman Dan Auerbach once put it, “the groove was king” when the Black Keys first started cranking out four-track recordings in the basement of drummer Patrick Carney. And that’s been the rule ever since, from the blistering, keep-it-simple cuts of The Big Come Up and Thickfreakness to the experimental flourishes of Brothers and Attack & Release, which sound not unlike RZA-produced Hendrix records.

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