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Red Hot Chili Peppers
Comment:
Wondering why "The Brothers Cup" sounds like a P-Funk B-side? Maybe it's because it's part of the George Clinton-produced [i]Freaky Styley[/i] (1985), one of the first albums to fuse the hardcore-matinee spirit of Black Flag with the space-age funk of Parliament. That's just one side of the Red Hot Chili Peppers' expansive sound, the layers of which are peeled away by these tracks, which include reggae-referencing rock ("Funny Face"), buzz-saw wah-wah funk-rap (the demo version of "Out In L.A.," which was included as a bonus track on the 2003 remastered reissue of the band's self-titled 1984 studio debut), and reinvented protest folk ("Subterranean Homesick Blues").