Other Mixes By Patrin
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Theme
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Mixed Genre
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Theme
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Mixed Genre
Foreground Music
Artist | Song | |
Syd Dale | Baseline | |
Goblin | La Via Della Droga | |
Nicholas Flagello | Wailing Wail | |
John Barry | Vendetta | |
Walter Murphy | Hocus Pokus | |
Alan Moorehouse | Expo in Tokyo | |
Lee Selmoco Orchestra | Blue Media | |
James Clarke | Second Cut | |
Dennis Coffy | Theme From Black Belt Jones | |
Alan Parker | Unlimited Love | |
Peter Thomas Sound Orchestra | Happening In White | |
Duncan Lamont | Funky Express | |
Richard C. Sanders | Afrocat | |
Luis Bacalov | Summertime Killer | |
Mario Nascimbene | Shake & Bake | |
Lalo Schifrin | Theme From Bullitt | |
Armando Trovajoli | Blazing Magnum | |
Alan Hawkshaw | Senior Thump | |
Stefano Torossi | Running Fast | |
Edward Simon | Harvey Wallbanger | |
Keith Mansfield | Crash Course | |
Guido & Maurizio De Angelis | New Special Squad | |
Henry Mancini | Midnight Cowboy | |
DJ Shadow | Theme From Dark Days | |
The Plugz | Reel Ten | |
Comment:
This collection- mostly from the '60s and '70s- is all music (or in the case of Mancini's composition of "Midnight Cowboy", a cover thereof) created for the sole purpose of scoring some moment in audio-visual terms, whether cinematic or televised, opening credits or panoramic sweeping shots or dynamic fight-and-chase-and-shoot scenes. From the most obscure pieces of PSA-scoring library music to the theme songs to blockbuster films, they all seem to serve the sole purpose of drawing a thick underline beneath the action as if to say "yes, this stuff on the screen should hold your attention now." But divorced from the visual, the audio holds up surprisingly well; the best moments recall pieces of the electro-jazz-funk fusion of early '70s Blue Note and the relentless percussive grooves of Santana and Sly Stone. Twenty-three tracks of German pop-lounge, Italian folk-funk and good ol' American whock-a-chicka, and two great songs to close by people who may be better known for their albums than their scores- but damn, what scores they are. (Most of these songs are taken from a few choice sources- Luke Vibert's "Nuggets" compilation, the two "Cinemaphonic" compilations, the "Beretta 70" collection of '70s Italian crime film themes, 18th Street Lounge's "Easy Tempo", and "Music For Dancefloors: The Cream of the KPM Music Green Label Sessions".)Feedback:
Absolutely brilliant! Looks awesome and fascinating.....tremendous description, too!What's your stance on trading..? Nudge, nudge, wink, wink....Oh, I tip my helmet!
Nice idea, great title - I'm hooked!So many soundtracks recently (last decade or so) seem either vacuous or overblown snippets when isolated from the visuals (or variations on Now That's What I Call Music... for whatever year), but this look great.
I suddenly realized I forgot to include the track "Next Episode" by Richard Demaria, which appears between the Goblin and Nicholas Flagello tracks. I'd fix it manually, but that means retyping the names of some 23 different entries and I'm just too damned lazy. I also found out through the magic of imdb.com that the same guy who did the funky-ass "Summertime Killer" track also did music for "Il Postino".