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Study Guide - School of Rock: The Singer/Songwriter Era
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"When Bob Dylan wrote 'Positively 4th Street' a lightbulb went on in my head," Joni Mitchell said in 1994. "I thought, 'Oh my God, we can write about [i]anything[/i] now.'" With Dylan as the key influence on Joni, Neil Young, Jackson Browne, and dozens of other troubadour-auteurs, the singer-songwriter became a lone poet, opening himself up through song in order to make the personal universal.The singer-songwriters who emerged in the late '60s were mostly reconstituted folkies in retreat from the noise and psychedelic overkill of electric rock. They pulled back from the turmoil and violence of street protests against the Vietnam War, holing up in shacks in the canyons of Los Angeles. There they were joined by a different genotype of composer-performer: former songwriters-for-hire who'd penned teen hits in industry hives such as New York's Brill Building. Artists as different as Carole King, Neil Diamond, Randy Newman, Harry Nilsson, and Jimmy Webb stepped out of the backroom sha

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