anything now.'" With Dylan as the key influe …" /> Study Guide - School of Rock: The Singer/Songwriter Era by itunes

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Study Guide - School of Rock: The Singer/Songwriter Era

Artist Song
Laura Nyro  And When I Die  
Phil Ochs  Pleasures of the Harbor  
Randy Newman  I Think It's Going to Rain Today  
Gordon Lightfoot  If You Could Read My Mind  
Leonard Cohen  Bird On the Wire  
Kris Kristofferson  Me and Bobby McGee  
Joni Mitchell  River  
Tim Buckley  Song to the Siren  
Jackson Browne  Late for the Sky (Remastered)  
Carly Simon  That's the Way I've Always Heard It Should Be  
Joan Baez  Diamonds and Rust  
John Denver  Rocky Mountain High  
Dan Fogelberg  Longer  
Jim Croce  Time In a Bottle  
Harry Chapin  Cat's In the Cradle  
Billy Joel  Piano Man  
Cat Stevens  Wild World  
Tom Waits  Ol '55  

Comment:

"When Bob Dylan wrote 'Positively 4th Street' a lightbulb went on in my head," Joni Mitchell said in 1994. "I thought, 'Oh my God, we can write about [i]anything[/i] now.'" With Dylan as the key influence on Joni, Neil Young, Jackson Browne, and dozens of other troubadour-auteurs, the singer-songwriter became a lone poet, opening himself up through song in order to make the personal universal.

The singer-songwriters who emerged in the late '60s were mostly reconstituted folkies in retreat from the noise and psychedelic overkill of electric rock. They pulled back from the turmoil and violence of street protests against the Vietnam War, holing up in shacks in the canyons of Los Angeles. There they were joined by a different genotype of composer-performer: former songwriters-for-hire who'd penned teen hits in industry hives such as New York's Brill Building. Artists as different as Carole King, Neil Diamond, Randy Newman, Harry Nilsson, and Jimmy Webb stepped out of the backroom sha
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abangaku
Date: 8/27/2017
This looks really nice!