Artist	Song
Ziggy Marley & The Melody Makers	Tomorrow People
from The Best of Ziggy Marley & The Melody Makers (2008)
The Clash	Rudie Can't Fail
from London Calling (1999)
Sean Paul	Temperature
from The Trinity (2005)
No Doubt	Just a Girl
from The Singles 1992-2003 (2003)
U2	One
from Achtung Baby (Deluxe Edition) [Remastered] (2011)
Lily Allen	Smile
from Alright, Still (2007)
Damian "Jr. Gong" Marley	Welcome to Jamrock
from Welcome to Jamrock (2005)
Ben Harper	Burn One Down
from Fight for Your Mind (1995)
UB40	Red Red Wine
from The Very Best of UB40: 1980 - 2000 (2000)
Sublime	What I Got
from Sublime (1996)
The Police	Roxanne
from The Police (2007)
Buju Banton	Untold Stories
from 'Til Shiloh (2002)
The Specials	A Message To You Rudy
from The Specials (2002)
Third World	1865 (96º In the Shade)
from Ultimate Collection: Third World (2001)
Bad Brains	I Against I
from I Against I (2006)
Luciano	It's Me Again Jah
from Reggae Roots - 1972-1995, Vol.5 (1999)
Shaggy	Boombastic
from The Best of Shaggy (2008)
Lauryn Hill	To Zion
from The Miseducation of Lauryn Hill (1998)
Thievery Corporation	The Outernationalist
from The Richest Man In Babylon (2003)
Garnett Silk	Mama Africa
from Garnett Silk: The Definitive Collection (2000)
Boogie Down Productions	South Bronx
from Criminal Minded (2005)
Asian Dub Foundation	Rebel Warrior
from Facts and Fictions (1995)
Majek Fashek	African Unity
from Rainmaker (2007)
Boukman Eksperyans	Sevelen/Sukiyaki
from Revolution (2007)
Yvad	Freedom
from Marley Magic (2007)

Comment:

In the quarter-century since his death, Marley’s influence has expanded outward like the petals of a lotus flower, far beyond his extended family and former mates. In fact, it reaches way past reggae itself. Marley mania swept through the U.K. just before the Clash hurled its first Molotov cocktail-on-wax out of Brixton, and underclass fury burns bright and righteous in their genre-bending, put-the-boot-in stomp “Rudie Can’t Fail.” Bono ascends the altar and delivers the sermon of his life in U2’s magnificent “One,” as the Edge’s guitar chimes out like a cathedral bell above the desperate plea echoing Marley’s message of compassion and mercy. And Lily Allen’s bass-heavy alt-smash breakthrough, “Smile,” lurches and jerks with a reggae beat under her sharp-tongued, honey-and-dagger vocal. Marley’s legacy didn’t stop there — it mushroomed out across continents and styles, as you’ll hear.

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