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                            Marilyn Manson
Comment:
Forget the soft-spoken, well-read Marilyn Manson that humanized (or is it de-demonized?) himself in [i]Bowling for Columbine[/i]. He's nowhere to be found within our decade-plus overview of his bloodletting musical career, a button- and boundary-pushing maelstrom of songs that sound downright delightful despite their ominous overtones (keep your ears peeled for jackhammer rhythms, eye-gouging electronic effects, and chainsaw chords) and question-everything themes — sung bittersweet one second and screamed the next. From [i]Portrait of an American Family[/i] to [i]Eat Me, Drink Me[/i], Manson's shocked us, sure, but he's also established himself as a true rock star in the classic sense, a train wreck of contradictions and chaos theories we can't help but watch, whether we like him or not.
            



