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Roots of Funk - School of Rock: Funk
Comment:
It takes a village to raise the funk, and it boasted more parents than a school pageant's audience. In the end, each of these pioneers contributed DNA to the music's ultimate liberation through rhythm. Louis Jordan's jump blues "Caldonia" detonates with a rim-shot [i]thwack[/i] on "The One," as its horns honk out melody [i]and[/i] rhythm over Jordan's bourbon-and-barbed-wire vocal. A very different rhythm propels Johnny Otis' "Willie and the Hand Jive," as its [i]dat-badat-dat-BADAT-DAT[/i] echoes a dawn-of-time tempo that predates both dancing [i]and[/i] music, sending parents all across America into cardiac arrest. And Jimmy Smith's "The Cat" blends funk's ingredients into a steamy, spice-packed gumbo: sassy guitar riffs, slinky keyboard grooves, and a stanky horn section that jolts through the haze like a lightning bolt. And you don't have to dig far to hit more roots: we've got 'em — from Professor Longhair straight through Wicked Wilson Pickett — right here.