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Outside The Clash - The World of The Clash
Comment:
Just as the Clash couldn’t be contained by the punk movement, the band couldn’t completely satisfy the breadth of its members’ musical appetites. Blur/Gorillaz front man Damon Albarn enticed bassist Paul Simonon to chuck his paintbrushes and pick up the bass — for the first time in a decade-and-a-half — to join The Good, The Bad & The Queen. Their "Kingdom of Doom" drags the mild-mannered suburban England of the Kinks' "Sunny Afternoon" off to a dark corner and roughs it up some. In “Coma Girl,” Joe Strummer & The Mescaleros trance-channel Bruce Springsteen's yarn-spinning savvy, transplanting the spirit of his “Spirit in the Night” from Jersey to Swansea. And Mick Jones' post-Clash outfit, Big Audio Dynamite, perfects the formula for fusing found sounds, synth rhythms, and stream-of-consciousness patter into a slinky, seductive groove in their dance-floor delight "E=MC2."