Member Since:
6/7/2004
Total Mixes:
9747
Total Feedback:
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Similar Sounds - The World of The Clash
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The Jam
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The Modern World
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from The Sound of The Jam
(2003)
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The Sex Pistols
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God Save the Queen
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from Never Mind the Bollocks, Here's the Sex Pistols
(2007)
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Elvis Costello & The Attractions
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Big Tears
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from Rock and Roll Music
(2007)
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The Specials
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A Message To You Rudy
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from The Specials
(2002)
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Them
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Gloria
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from Still On Top - The Greatest Hits (Deluxe Version)
(2007)
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The Boomtown Rats
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Lookin' After No. 1
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from Best of The Boomtown Rats
(2004)
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The English Beat
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Twist and Crawl
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from Beat This! The Best of The English Beat
(2004)
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The Alarm
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Sixty Eight Guns
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from Standards
(1990)
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The Pogues
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Streets of Sorrow / Birmingham Six
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from If I Should Fall from Grace With God [Expanded]
(2006)
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Siouxsie and the Banshees
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Hong Kong Garden
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from The Best of Siouxsie and The Banshees
(2002)
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The Sorrows
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I Don't Wanna Be Free
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from Take A Heart
(2010)
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Tomorrow
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My White Bicycle
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from Tomorrow
(2003)
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The Stranglers
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Peaches
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from The Stranglers: Greatest Hits 1977-1990
(1991)
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Mikey Dread
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Everybody Needs a Proper Education
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from Dread At the Controls
(2006)
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Joe Ely
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Not Fade Away
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from Live Shots
(1993)
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Comment:
Punk bands descended upon mid-'70s London like a swarm of guitar-wielding hornets, buzzing with passion, potential, and a powerful sting. Queen Elizabeth "celebrated" her Silver Jubilee with a Molotov cocktail of rebellion, power chords, and barbed-wire vocals, courtesy of the Sex Pistols' "God Save the Queen." While the Pistols waged class warfare with the musical equivalent of a sawed-off shotgun, blasting everything in sight, the Clash took more careful aim before launching [i]their[/i] political barrage. In "The Modern World," the Jam not only shared the Clash's contempt for the powerful, but they also lumped critics in with the bad guys, suggesting that fashionistas are, at their core, fascists. And much like the Clash, the Alarm plundered their record collection for inspiration, resurrecting Phil Spector's Wall of Sound drums, Ronettes-style, for their anti-authoritarian anthem "Sixty Eight Guns." Whether punk, new wave, or roots rock, though, [i]no other band[/i] in the Clash's era was in the Clash's class.
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