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Roots & Influences - The World of Mary J. Blige
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Between the crackling grooves of her mom’s dusty 45s and the static-stuffed transmissions of her local radio station, Mary learned all she needed to know about [i]delivering[/i] soul music. Her first teacher was Chaka Khan, whose lightning-clap voice, on “Sweet Thing,” whispers in your ear and strokes your thigh, then flips on the basement’s blue light for slow dancing up against the wall. Be sure to listen as Dorothy Moore falls to the floor, curls into the fetal position, and bleeds endless tears on “Misty Blue,” serving up a no-shame-in-my-game vocal that’s part church, part juke joint — and part of Mary’s musical DNA. And don’t sleep on Ms. Anita Baker, whose taffy-pulled caramel notes make “Caught Up in the Rapture” a sigh of grown-folk contentment, capturing the “Real Love” that Mary searched for at the start of her career. Mary’s musical roots are a tangle of jazz, funk, blues, rap, and pop; from Aretha to Parliament, we’ve exposed the artists who shaped the woman.