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Member Since: 6/7/2004
Total Mixes: 9747
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Flogging Molly

Artist Song
Flogging Molly  Drunken Lullabies  
Flogging Molly  Don't Shut 'Em Down  
Flogging Molly  What's Left of the Flag  
Flogging Molly  Devil's Dance Floor  
Flogging Molly  The Seven Deadly Sins  
Flogging Molly  Requiem for a Dying Song  
Flogging Molly  Salty Dog  
Flogging Molly  Revolution  
Flogging Molly  Tobacco Island  
Flogging Molly  Laura  
Flogging Molly  To Youth (My Sweet Roisin Dubh)  
Flogging Molly  Black Friday Rule  
Flogging Molly  The Kilburn High Road  
Flogging Molly  The Worst Day Since Yesterday  
Flogging Molly  (No More) Paddy's Lament  
Flogging Molly  Swagger  
Flogging Molly  Selfish Man  
Flogging Molly  May the Living Be Dead (In Our Wake)  
Flogging Molly  Within a Mile of Home  
Flogging Molly  The Likes of You Again  
Flogging Molly  Speed of Darkness  
Flogging Molly  The Rare Ould Times  
Flogging Molly  If I Ever Leave This World Alive  
Flogging Molly  Float  
Flogging Molly  Factory Girls  
Flogging Molly  Another Bag of Bricks  
Flogging Molly  Whistles the Wind  
Flogging Molly  Screaming At the Wailing Wall  
Flogging Molly  Death Valley Queen  
Flogging Molly  Far Away Boys  
Flogging Molly  Grace of God Go I  
Flogging Molly  The Son Never Shines (On Closed Doors)  
Flogging Molly  Every Dog Has Its Day  
Flogging Molly  Saints & Sinners  
Flogging Molly  Never Met a Girl Like You Before  
Flogging Molly  The Light of a Fading Star  
Flogging Molly  The Story So Far  
Flogging Molly  What's Left of the Flag  
Flogging Molly  Don't Let Me Die Still Wondering  
Flogging Molly  Tobacco Island  
Flogging Molly  Cruel Mistress  
Flogging Molly  Life In a Tenement Square  
Flogging Molly  Tomorrow Comes a Day Too Soon  
Flogging Molly  Whistles the Wind  
Flogging Molly  Rebels of the Sacred Heart  

Comment:

Dave King got his start pushing the boundaries of extreme music with former members of Krokus, Motörhead, and the Meanies during the late '80s and early '90s (see Fastway and Katmandu), earning himself enough respect in the process to score a solo deal with Epic Records. He left the contract behind when the label rejected his idea of using classic Irish instruments, however, an idea he quickly implemented after rounding out the seven-piece lineup of Flogging Molly. By giving accordions, mandolins and fiddles equal time alongside a standard bass/guitar/drums setup and King's rich storytelling — hardened by his upbringing in war-torn Ireland and losing his father at a young age — the band has struck the tightest, gnarliest middle ground between traditional and modern Celtic music since the Dropkick Murphys. So pull up a stool and keep the pints flowing — the party and the mosh pits have just begun.
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