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B-Boy Anthems - School of Rock: The Birth of Hip-Hop
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From German electronic pop to bass-heavy disco to raucous rap joints, these are the grooves that made the young hip-hop nation's break-dancers [i]move[/i]. With flattened cardboard boxes as buffers between body and concrete, old-school B-boys (and B-girls) did just that, adding their own styles to the street-dancing playbook. South Bronx block party: Someone pushes [i]play[/i] on a ghetto blaster, and out comes not rap, but Herbie Hancock's "Rockit." A circle forms, with the crowd falling into place to the track's electro-funk emissions; bodies pop, snaking slo-mo down to the ground, before bouncing back up. The DJ grins, turning up the volume on his guaranteed weapon: the mid-point breakdown in Incredible Bongo Band's "Apache," a funk-fortified jackhammer symphony of bongo-driven percussion. A chilled electronic siren blasts from the speakers, the crowd loses its mind, and Kraftwerk's "Numbers" once again proves itself part of hip-hop's official international language. From jazz-inflected soul to dance-dipped post-punk, we've got all the sounds of hip-hop's first foot soldiers.