Artist	Song
Starsailor	Four to the Floor
from Silence Is Easy (2004)
Ian Brown	Love Like a Fountain
from Golden Greats (2005)
The Beautiful South	We Are Each Other
from Carry On Up The Charts - The Best Of The Beautiful South (1994)
Cast	Fine Time
from The Collection (2004)
Eugenius	Oomalama
from Oomalama & Tireless Wireless (Eugenius Radio Sessions) (2003)
Gorky's Zygotic Mynci	Where Does Yer Go Now?
from How I Long to Feel That Summer in My Heart (2001)
Gay Dad	Now, Always and Forever
from Transmission (2001)
The Auteurs	Show Girl
from New Wave (2003)
Hurricane #1	Step Into My World
from Hurricane #1 (1997)
Denim	Council House
from Denim On Ice (1996)
Shed Seven	Chasing Rainbows
from Going for Gold (2007)
Embrace	Ashes
from Out of Nothing (2005)
Comet Gain	The Kids at the Club
from Realistes! (2002)
The Clientele	(I Want You) More Than Ever
from Suburban Light (2001)
Gomez	Get Myself Arrested
from Five Men In a Hut - A's, B's and Rarities - 1998-2004 (2006)
Mansun	Wide Open Space
from Attack of the Grey Lantern (2007)
Duffy	Warwick Avenue
from Rockferry (2008)
Longpigs	On & On
from The Sun Is Often Out (2007)
Texas	Say What You Want
from White on Blonde (1997)
Shack	Streets of Kenny
from Hms Fable (2010)
Athlete	El Salvador
from Vehicles & Animals (2004)
Trembling Blue Stars	A London Story
from Her Handwriting (1996)
Elbow	Grounds for Divorce
from The Seldom Seen Kid (2008)
Flying Saucer Attack	The Drowners
from Flying Saucer Attack (1994)

Comment:

The best of unsung Britpop bubbles up in Deep Cuts, where we’ve gathered together those worthy combos that don’t always get their fair share of the limelight — bands like Kenickie, who give their fun-loving “Punka” a blast of gleeful punked-up pop. There’s tons more, including Denim’s no-nonsense rocker “Council House,” the rootsy ramble “Get Myself Arrested” by Gomez, and even a spacey stadium blaster: Gay Dad’s “Now, Always and Forever.” And, to close out, a distortion-drenched ’n’ dirty 1993 cover of Suede’s “The Drowners” by artful space-rockers Flying Saucer Attack, which proved that Britpop was never afraid to keep on reinventing itself.

Feedback: