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Goth - School of Rock: College Rock, Vol. 1
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Way more than just a post-punk portrait of gloom from the tomb, goth rock wrapped its shadowy cloak around mysticism, metal, menace, melodrama . . . and makeup. [i]Lots[/i] of makeup. Formed out of goth pioneers Bauhaus' ashes, Love & Rockets fuse Hindu philosophy, fuzzed-out electric slide, and actual steam-engine sound effects in "Kundalini Express" (and you [i]gotta[/i] dig their "Sympathy for the Devil"-style [i]woot-woo[/i]s). In "She Sells Sanctuary" — the Cult's breakthrough hit after ditching both "Southern" and "Death" from its name — vocalist Ian Astbury rips through the mist of Billy Duffy's liquid-chime guitar in a psychedelic swirl of danceable doom. And if you know only Nine Inch Nails' buzzsaw-grind-and-primal-howl version of Joy Division's "Dead Souls," you're in for a surprise; nearly halfway through what seems to be an instrumental, lead singer Ian Curtis — out of nowhere — jumps in over the wash of industrial guitar with "someone take these dreams away!" like an asylum escapee pursued. From the Cure to Siouxsie and the Banshees, we've got every key track from the mortality-obsessed genre that — thankfully — will not die.