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Good Charlotte
Comment:
The overwhelming support of a single, solitary Philadelphia station got Good Charlotte off to a rousing start in 2000, when the brain-burrowing efforts of "Little Things" won Y100's [i]Cage Match[/i] competition 15 nights in a row. All before it became the band's first official single, too, sparking nearly a decade of chart-climbing crossover albums. Four of which are thoroughly examined in our [i]Good Charlotte[/i] Essentials — starting with the group's self-titled debut, a simple but satisfying take on snot-nosed pop in the tradition of blink-182 and Green Day. Like both of those bands, Good Charlotte has grown considerably with time: "Emotionless" is an early attempt at tastefully orchestrated balladry, "Girls & Boys" borders on bubblegum pop, "Keep Your Hands Off My Girl" hits high notes in the same breath as its robotic lead vocals, and "Victims of Love" dips into the dance-rock pool like a gutter-punk-schooled version of the Killers.