Artist	Song
Green Day	My Generation
from Kerplunk! (2006)
David Bowie	Anyway, Anyhow, Anywhere? (1999 Remaster)
from Sound + Vision (2007)
Elton John	Pinball Wizard
from Caribou (1995)
Pearl Jam	Love, Reign O'er Me
from Love, Reign O'er Me (As Featured In the Motion Picture "Reign Over Me") - Single (2007)
Petra Haden	Tattoo
from Sings: the Who Sell Out (2008)
Tina Turner	Acid Queen
from Tina! (2008)
Limp Bizkit	Behind Blue Eyes
from Greatest Hits (2005)
Ramones	Substitute
from Acid Eaters (1994)
Rush	The Seeker
from Feedback (2004)
Joan Jett	Call Me Lightning
from Bad Reputation (Remastered) (1981)
Patti Smith	My Generation
from Horses (1996)
Marty Stuart & His Fabulous Superlatives & The Old Crow Medicie Show	I Can See for Miles
from Compadres - an Anthology of Duets (2007)
Phish	Sparks
from LivePhish, Vol. 7 8/14/93 (World Music Theatre, Tinley Park, IL) (2009)
Scorpions	I Can't Explain
from 20th Century Masters - The Millennium Collection: The Best of Scorpions (2001)
The Dickies	See Me Feel Me
from Go Banana's (2008)
Dropkick Murphys	The Kids Are Alright
from Mob Mentality (2006)
Southern Culture On the Skids	Happy Jack
from Countrypolitan Favorites (2007)
Les Fleur-De-Lys	Circles
from Pop Goez Immediate (2006)
Tommy Keene	It's Not True
from Ten Years After (1996)
Mary McCaslin	Pinball Wizard
from Old Friends (1996)
McBride & The Ride	Squeeze Box
from Amarillo Sky (2002)
Brave Combo	I Can See for Miles
from Polka's Revenge (2007)
Chubby Carrier & The Bayou Swamp Band	Squeeze Box
from Who Stole the Hot Sauce? (1996)
The Assembled Multitude	Overture from Tommy
from The Assembled Multitude (2005)
Hampton String Quartet, The	Imagine a Man
from Take No Prisoners (2005)
Junk Monkeys	A Quick One
from Five Star Fling (1991)
The Nils	Mary-Anne With the Shaky Hands
from Green Fields In Daylight (2001)
Tony Furtado	Won't Get Fooled Again
from Thirteen (2007)
W.A.S.P.	The Real Me
from The Best Of The Best (2011)
The Binghamton Crosbys	You Better You Bet
from Roadtrip to Munzville (2006)

Comment:

Think of the Who’s sound as a bank with [i]real[/i] deep pockets; pretty much every liquid asset, from the strut to the st-st-stutter, has been borrowed — or outright [i]heisted[/i] — by your favorite artists. While the rock opera [i]American Idiot[/i] has been tagged as [i]Quadrophenia[/i]’s doppelgänger, Green Day’s Who roots tunnel even deeper; check out Billie Joe Armstrong’s Daltreyesque v-v-vocal, plus the flying bottle crash, on “My Generation.” Boston Irish punk-folk pack the Dropkick Murphys swagger and scowl through a back-alley beatdown of “The Kids Are Alright.” And pirouetting on that fine line separating genius from madness, former That Dog violinist Petra Haden cuts “Tattoo” — not to mention every other track on [i]The Who Sell Out[/i] — [i]a cappella[/i]. How’d Pete Townshend respond? Quite simply: “I adore it.'' From the [i]ooh-ah[/i] of Tina Turner’s temptress take on “Acid Queen” to the [i]oom-pah[/i] of Brave Combo’s polkafied “I Can See for Miles,” to the [i]whoa-ah[/i] of Pearl Jam’s sky-parting “Love, Reign O’er Me,” we’ve got the Who covered.

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