Artist	Song
Eddie Cochran	C'mon Everybody
from The Best Of (2003)
James Brown & The Famous Flames	Try Me
from 20th Century Masters - The Millennium Collection: The Best of James Brown (1999)
The Rolling Stones	(I Can't Get No) Satisfaction
from Out of Our Heads (2005)
John Lee Hooker	I'm in the Mood
from The Real Folk Blues / More Real Folk Blues: John Lee Hooker (2002)
Lonnie Donegan	Cumberland Gap
from Rock Island Line - The Singles Anthology (2009)
The Beach Boys	Surfin' USA
from Sounds of Summer - The Very Best of The Beach Boys (2003)
Chris Barber	Down By the Riverside
from Vintage Chris Barber - Jazz Sacred and Secular (2006)
Elvis Presley	Hound Dog
from Elvis: 30 #1 Hits (2002)
Bo Diddley	Bo Diddley (1955 Single Version) [Mono]
from The Chess 50th Anniversary Collection: Bo Diddley - His Best (1997)
Booker T. & The MG's	Green Onions
from The Best of Booker T & The MGs (2005)
Bill Haley & His Comets	Rock Around the Clock
from Rock Around the Clock (2004)
Link Wray	Roughshod
from Hillbilly Wolf - Missing Links Vol. 1 (2006)
Link Wray	Apache
from Apache (2007)
Johnny Kidd & The Pirates	A Shot of Rhythm and Blues
from Rock Masters: Johnny Kidd & The Pirates - EP (2005)
Mose Allison	Parchman Farm
from The Prestige Collection: Mose Allison - Greatest Hits (2006)
Slim Harpo	I've Got Love If You Want It
from The Best of Slim Harpo (1997)
Carlos Montoya	Sevillanas
from The Art of the Flamenco: Carlos Montoya (2006)
London Symphony Orchestra, Luciano Pavarotti & Richard Bonynge	Rigoletto: "La Donna è Mobile"
from Verdi: Rigoletto - Highlights (2000)
Duke Ellington	Take the "A" Train
from Never No Lament (The Blanton-Webster Band) (2003)
Louis Armstrong	Struttin' With Some Barbecue
from The Best of the Hot 5 & Hot 7 Recordings (2002)

Comment:

Jazz. R&B. Skiffle. Surf. Rockabilly. Soul. Dixieland. [i]Opera[/i]. We’re pretty sure there isn’t a sound or style that didn’t find its way into the Who’s powerhouse musical palette. Long before there was rock opera, there was [i]opera[/i] opera, and Giuseppe Verdi’s [i]Rigoletto[/i] ratchets 19th-century Italian theatricality to [i]Tommy[/i]esque proportions; its breathtaking finale, “La Donna è Mobile,” demanded a lighter raised in the air . . . a century before there were lighters to raise in the air. James Brown’s dreamy, doo-wop-y “Try Me” is a far cry from the cape-flinging sex-machine funk workout of later years, but his early sides shaped the Who’s vision of “Maximum R&B"; of all the British Invasion bands who covered him — and there were many — only the Who managed to pull it off without sounding like mere mod mimics. Mose Allison’s been covered by everyone from the Clash to Elvis Costello; the Who cut his “Young Man Blues." According to Pete Townshend, “Without Mose, I wouldn't have written ‘My Generation.’ (He’s) the epitome of restrained screaming power" — a tension you can practically [i]taste[/i] in his jazzy jailhouse blues “Parchman Farm.” From Jan & Dean to John Lee Hooker, you're about to learn who made the Who sound like they do.

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