Artist	Song
The Who	I Can't Explain
from The Kids Are Alright (2001)
The Who	Anyway, Anyhow, Anywhere
from The Kids Are Alright (2001)
The Who	A Quick One While He's Away
from The Rolling Stones Rock and Roll Circus (2005)
The Who	Sparks
from Thirty Years of Maximum R&B (1994)
The Who	Pinball Wizard
from The Kids Are Alright (2001)
The Who	See Me, Feel Me
from The Kids Are Alright (2001)
The Who	Join Together / Roadrunner / My Generation Blues
from The Kids Are Alright (2001)
The Who	Heaven and Hell
from Live At Leeds (2001)
The Who	Tattoo
from Live At Leeds (2001)
The Who	Young Man Blues
from Live At Leeds (2001)
The Who	Substitute
from Live At Leeds (2001)
The Who	Happy Jack
from Live At Leeds (2001)
The Who	I'm a Boy
from Live At Leeds (2001)
The Who	Summertime Blues
from Live At Leeds (2001)
The Who	Shakin' All Over
from Live At Leeds (2001)
The Who	Magic Bus
from Live At Leeds (2001)
The Who	I'm Free
from Live At Leeds (2001)
The Who	Bargain
from Thirty Years of Maximum R&B (1994)
The Who	My Wife
from Thirty Years of Maximum R&B (1994)
The Who	Bony Moronie
from Thirty Years of Maximum R&B (1994)
The Who	Naked Eye
from Who's Next (1995)
The Who	Water (Live)
from Who's Next (1995)
The Who	Squeeze Box
from The Who By Numbers (Remastered) (1996)
The Who	Behind Blue Eyes
from The Who By Numbers (Remastered) (1996)
The Who	Baba O'Riley
from The Kids Are Alright (2001)
The Who	Won't Get Fooled Again
from The Kids Are Alright (2001)
The Who	How Can You Do It Alone
from Face Dances (1997)
The Who	Eminence Front
from It's Hard (Remastered) (2010)

Comment:

As extraordinary as they were in the studio, when the Who set foot onstage, they somehow became even greater. They became THE WHO — a force of nature that didn’t just play their hits; they hurtled their audience into a roaring 757 engine of whirling mics, exploding drums, and impossible volumes. In short, they [i]defined[/i] arena rock, and never better than in the John Entwistle-penned study on the perils of mortal sin, “Heaven and Hell” from [i]Live At Leeds[/i], which so completely overpowers the studio take that it’s become the definitive version. [i]The Rolling Stones Rock and Roll Circus[/i] version of the Who’s pre-[i]Tommy[/i] mini-opera “A Quick One While He’s Away” is considered by fans to be their best, from the opening barbershop quartet [i]a cappella[/i] to the near-meltdown leading to Pete’s spoken benediction: “You are forgiven.” And if you listen carefully to the last bits of “My Generation” from [i]Woodstock[/i], you can hear the early rumblings of longtime concert staple “Naked Eye,” Townshend’s plea “for people to look a little deeper into things." Yes, they still tour, and, yes, they’re still godhead, but this is as close as you’ll ever get to seeing the Who's greatest show that never was.

Feedback: