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Sub Pop
Comment:
Sub Pop was at the ground floor of grunge when it conquered the charts and swallowed pop culture whole, becoming so big that [i]Vogue[/i] magazine ran a flannel-centric spread of lumberjack couture at the tail end of 1992. Needless to say, the Seattle-based label could've chased the almighty dollar, flooding the market with a steady supply of Nirvana clones. Instead, its staff has followed nothing but their ears and hearts for more than two decades, which is good for them . . . and even better for us, seeing as we're the recipients of a seemingly endless procession of circuit-bending noise cadets (Wolf Eyes), patient, plodding magma-metal (Earth), amp-frying guitar rock (Comets On Fire), and one of the loudest bands in the history of indie rock (Six Finger Satellite, from whose ashes rose dance-punk stalwart the Juan Maclean).