Artist	Song
DeVotchKa	How It Ends
from How It Ends (2004)
DeVotchKa	The Clockwise Witness
from A Mad & Faithful Telling (2008)
DeVotchKa	You Love Me
from How It Ends (2004)
DeVotchKa	Queen of the Surface Streets
from Una Volta (2004)
DeVotchKa	100 Other Lovers
from 100 Lovers (2011)
DeVotchKa	The Enemy Guns
from How It Ends (2004)
DeVotchKa	Along the Way
from A Mad & Faithful Telling (2008)
DeVotchKa	Transliterator
from A Mad & Faithful Telling (2008)
DeVotchKa	I Cried Like a Silly Boy
from Curse Your Little Heart (2006)
DeVotchKa	We're Leaving
from How It Ends (2004)
DeVotchKa	Devotchka!
from Super Melodrama (2004)
DeVotchKa	Dearly Departed
from How It Ends (2004)
DeVotchKa	Basso Profundo
from A Mad & Faithful Telling (2008)
DeVotchKa	Exhaustible
from 100 Lovers (2011)
DeVotchKa	Such a Lovely Thing
from How It Ends (2004)
DeVotchKa	Head Honcho
from A Mad & Faithful Telling (2008)
DeVotchKa	Ocean of Lust
from Una Volta (2004)
DeVotchKa	Danglin' Feet
from Super Melodrama (2004)
DeVotchKa	The Oblivion
from Una Volta (2004)
DeVotchKa	All the Sand In All the Sea
from 100 Lovers (2011)
DeVotchKa	The Alley
from 100 Lovers (2011)
DeVotchKa	Lo Llorrona
from Una Volta (2004)
DeVotchKa	The Last Beat of My Heart
from Curse Your Little Heart (2006)
DeVotchKa	Death By Blonde
from Una Volta (2004)
DeVotchKa	Hot Buritto #1 (I'm Your Toy)
from Sweetheart (2009)
DeVotchKa	Dark Eyes
from Super Melodrama (2004)
DeVotchKa	Undone
from A Mad & Faithful Telling (2008)
DeVotchKa	Such a Lovely Thing
from Live At Austin City Limits Music Festival 2007: DeVotchKa - Single (2007)
DeVotchKa	Overture
from The Jack 2 Pack (The Nightmare Before Christmas) (2008)

Comment:

Imagine for a moment that David Byrne had grown up in Budapest, listening to Django Reinhardt, the Velvet Underground, and 3 Mustaphas 3. Hopefully, that will give you some idea of where Devotchka are coming from . . . but whenever you think you've got them pegged — surprise! — the group is already a step or two ahead. With fiddle-finger fireworks and vocals that quake and quiver like Roy Orbison at his heartbreakiest, DeVotchKa straddles the divide between East and West, indie and world, folk and alt like no one else out there. How many bands can you name that would be equally comfortable — and successful — opening for Calexico, Marilyn Manson, and Dita Von Teese? Well, now you've found one . . . and you're probably gonna have a long wait till you find number two.

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