Member Since:
6/7/2004
Total Mixes:
9747
Total Feedback:
8
Other Mixes By
itunes
Playlist
|
Other Mix
Playlist
|
Celebrity Playlist
Playlist
|
Celebrity Playlist
|
Portishead
|
Sour Times
|
from Dummy
(1994)
|
Portishead
|
Only You
|
from Portishead
(1997)
|
Portishead
|
Glory Box
|
from Dummy
(1994)
|
Portishead
|
Machine Gun
|
from Third
(2008)
|
Portishead
|
All Mine
|
from Portishead
(1997)
|
Portishead
|
Roads
|
from Roseland, NYC Live
(1999)
|
Portishead
|
Numb
|
from Dummy
(1994)
|
Portishead
|
The Rip
|
from Third
(2008)
|
Portishead
|
Humming
|
from Roseland, NYC Live
(1999)
|
Portishead
|
Cowboys
|
from Portishead
(1997)
|
Portishead
|
Wandering Star
|
from Dummy
(2005)
|
Portishead
|
Mourning Air
|
from Portishead
(1997)
|
Portishead
|
Glory Box
|
from Roseland, NYC Live
(1999)
|
Portishead
|
Over
|
from Portishead
(1997)
|
Portishead
|
We Carry On
|
from Third
(2008)
|
Tom Jones & Portishead
|
Motherless Child
|
from Reloaded - Greatest Hits
(2003)
|
Beth Gibbons & Rustin Man
|
Tom the Model
|
from Out of Season
(2009)
|
Portishead
|
Half Day Closing
|
from Roseland, NYC Live
(1999)
|
Portishead
|
Hunter
|
from Third
(2008)
|
Portishead
|
Requiem for Anna
|
from Monsieur Gainsbourg Revisited
(2006)
|
Portishead
|
Undenied
|
from Portishead
(1997)
|
Depeche Mode
|
Walking In My Shoes (Grungy Gonads Mix Version)
|
from Walking In My Shoes
(2004)
|
Depeche Mode
|
In Your Room
|
from Remixes 81-04
(2004)
|
Beth Gibbons & Rustin Man
|
Mysteries
|
from Out of Season
(2009)
|
Portishead
|
Seven Months
|
from Portishead
(1997)
|
Portishead
|
All Mine
|
from Roseland, NYC Live
(1999)
|
Portishead
|
Plastic
|
from Third
(2008)
|
Beth Gibbons & Rustin Man
|
Sand River
|
from Out of Season
(2009)
|
Portishead
|
Only You
|
from Roseland, NYC Live
(1999)
|
Portishead
|
Sour Times
|
from Roseland, NYC Live
(1999)
|
Comment:
It's fitting that Portishead got signed on the strength of [i]To Kill a Dead Man[/i] — a '60s-inspired spy movie they shot, scored, and starred in — rather than a run-of-the-mill demo. After all, the group's always approached their albums like a black-and-white classic of Hollywood's golden age, from the stark stills that turn their record sleeves into impromptu movie posters to the music itself — the sweeping orchestral arrangements and living, breathing film noir soundtrack of [i]Roseland, NYC Live[/i], the insta-classic cuts of [i]Dummy[/i] and [i]Portishead[/i], and the completely unexpected sonic detours of [i]Third[/i], a long-delayed album that almost made us forget the ten lonely years we spent waiting — [i]hoping[/i] — for its release.
Feedback: