itunes

gravatar
Member Since: 6/7/2004
Total Mixes: 9747
Total Feedback: 8

Other Mixes By itunes

Playlist | Other Mix
Playlist | Celebrity Playlist
image
Playlist | Celebrity Playlist
image

Similar Sounds - World of Motown

Artist Song
Aretha Franklin  (Sweet Sweet Baby) Since You've Been Gone  
Barbara Acklin  Love Makes a Woman  
Barbara Lewis  Hello Stranger  
The Capitols  Cool Jerk  
Chairmen of the Board  Give Me Just a Little More Time  
Darrell Banks  Open the Door to Your Heart  
Dee Dee Sharp  Mashed Potato Time  
Deon Jackson  Love Makes the World Go Round  
Doris Troy  Just One Look (Single / LP Version)  
The Dramatics  Whatcha See Is Whatcha Get  
Edwin Starr  Agent Double-O-Soul  
Fontella Bass  Rescue Me  
The Foundations  Baby, Now That I've Found You  
Freda Payne  Band of Gold  
The Grass Roots  Midnight Confessions  
Honey Cone  Want Ads  
Jackie Ross  Take Me for a Little While  
Little Eva  The Loco-Motion  
The O'Jays  Back Stabbers  
The Radiants  Hold On  
The Rascals  I've Been Lonely Too Long  
Shirelles & The Shirelles  Will You Love Me Tomorrow  
Sly & the Family Stone  Dance to the Music  
Tyrone Davis  Turn Back the Hands of Time  
100 Proof (Aged In Soul)  Somebody's Been Sleeping In My Bed  

Comment:

When you’re the champ, everybody wants a piece of you, and Motown packed pop’s heaviest punch [i]ever[/i]. Memphis-based Stax Records, desperate for some Motor City magic after a string of personal and professional setbacks, signed Temptations sound-alikes the Dramatics, even cutting their grit-caked smooth groove “Whatcha See Is Whatcha Get” in Detroit for authenticity’s sake. At local Ric-Tic Records, they took their quest for the Motown sound one step further, hiring Hitsville’s Funk Brothers to lay their machine-gun bass and r-r-rolling keyboard thump into Edwin Starr’s “Agent Double-O-Soul.” A furious Berry Gordy — these guys were his [i]employees[/i], after all — simply bought the label, shut it down, and KO’d his assembly line’s secondary gig. Instead of moonlighting, the Holland/Dozier/Holland hit-making machine simply [i]left[/i] Motown, setting up labels to compete with Gordy’s empire; with a bent-knee plea so sincere it reduces the Chairmen of the Board’s lead singer to a stuttering mess of a man, “Give Me Just a Little More Time” delivered Invictus Records its first pop smash. And there’s more: from Aretha Franklin to the O’Jays, from the Rascals to the Shirelles, [i]everybody[/i] wanted a shot at Motown’s heavyweight crown — and we’ve got all the contenders right here.
image for mix

Feedback: