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Similar Sounds - World of Motown
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When you’re the champ, everybody wants a piece of you, and Motown packed pop’s heaviest punch [i]ever[/i]. Memphis-based Stax Records, desperate for some Motor City magic after a string of personal and professional setbacks, signed Temptations sound-alikes the Dramatics, even cutting their grit-caked smooth groove “Whatcha See Is Whatcha Get” in Detroit for authenticity’s sake. At local Ric-Tic Records, they took their quest for the Motown sound one step further, hiring Hitsville’s Funk Brothers to lay their machine-gun bass and r-r-rolling keyboard thump into Edwin Starr’s “Agent Double-O-Soul.” A furious Berry Gordy — these guys were his [i]employees[/i], after all — simply bought the label, shut it down, and KO’d his assembly line’s secondary gig. Instead of moonlighting, the Holland/Dozier/Holland hit-making machine simply [i]left[/i] Motown, setting up labels to compete with Gordy’s empire; with a bent-knee plea so sincere it reduces the Chairmen of the Board’s lead singer to a stuttering mess of a man, “Give Me Just a Little More Time” delivered Invictus Records its first pop smash. And there’s more: from Aretha Franklin to the O’Jays, from the Rascals to the Shirelles, [i]everybody[/i] wanted a shot at Motown’s heavyweight crown — and we’ve got all the contenders right here.