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Arctic Monkeys/The Last Shadow Puppets

Artist Song
Arctic Monkeys  I Bet You Look Good On the Dancefloor  
Arctic Monkeys  Fluorescent Adolescent  
Arctic Monkeys  Crying Lightning  
Arctic Monkeys  A Certain Romance  
Arctic Monkeys  Don't Sit Down 'Cause I've Moved Your Chair  
Arctic Monkeys  When the Sun Goes Down  
Arctic Monkeys  Brianstorm  
Arctic Monkeys  Mardy Bum  
Arctic Monkeys  Fake Tales of San Francisco  
Arctic Monkeys  Teddy Picker  
Arctic Monkeys  Who the Fuck Are Arctic Monkeys?  
Arctic Monkeys  Bigger Boys and Stolen Sweethearts  
Arctic Monkeys  Black Treacle  
The Last Shadow Puppets  The Age of the Understatement  
Arctic Monkeys  From the Ritz to the Rubble  
Arctic Monkeys  The View from the Afternoon  
Arctic Monkeys  505  
The Last Shadow Puppets  In the Heat of the Morning  
Arctic Monkeys  Dancing Shoes  
Arctic Monkeys  Do Me a Favour  
Arctic Monkeys  Settle for a Draw  
Arctic Monkeys  Brick By Brick  
The Last Shadow Puppets  My Mistakes Were Made for You  
Arctic Monkeys  Baby I'm Yours  
Arctic Monkeys  Riot Van  
The Last Shadow Puppets  The Meeting Place  
Arctic Monkeys  Cigarette Smoker Fiona  
Arctic Monkeys  Old Yellow Bricks  
The Last Shadow Puppets  Standing Next to Me  
Arctic Monkeys  Temptation Greets You Like Your Naughty Friend  

Comment:

The Arctic Monkeys story reads like the carefully spun tale of a myth-raking publicist. Really, now — these guys formed a band because they were bored? And, four years later, they just [i]happened[/i] to deliver the U.K.'s fastest-selling debut since Oasis' [i]Definitely Maybe[/i]? Well, yeah. A "MySpace sensation" according to the more than 225,000 Brits who picked up [i]Whatever People Say I Am, That's What I'm Not[/i] in its first week, the Monkeys are the sound of brash and bratty 20-somethings reared on the Beatles and Bowie as much as Bloc Party and Franz Ferdinand. In other words, they write perfect, guitar-guided pop songs, whether they're as deceptively simple as the brain-burrowing wordplay of "Fluorescent Adolescent" and the lawn-mower riffs of "Brianstorm" or as rich and unapologetically nostalgic as those of the Last Shadow Puppets, a side project that reveals the Phil Spector-ish visions of frontman Alex Turner and such collaborators as James Ford of Simian Mobile Disco and Arcade Fire arranger Owen Pallett.
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