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Modern Classical
Comment:
In the classical music world, just as in our daily lives, everything old is new again, and we have the selections to back up our contention. Danish composer Per Norgard's "Bach to the Future: I. C Major" is the first movement of a fantasy on Bach's preludes from "The Well-Tempered Clavier," performed with a certain airy playfulness by a pair of percussionists known as the Safri Duo, supported by the Danish National Radio Symphony Orchestra, conducted by Thomas Dausgaard. While Poland's Henryk Górecki's haunting "Amen" remains resolutely modernist in its sound (which was dubbed by some critics as part of the "holy minimalist" movement), his theme is as ancient as Western music itself, steeped in the majesty and mystery of faith. And Academy Award®-winning American composer John Corigliano's "Voyage for Flute and String Orchestra," performed by flautist James Galway and the Eastman Philharmonia, conducted by David Effron, has roots in the lush, pastoral sounds of Ives and Debussy.