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Modern Classical

Artist Song
St Albans Cathedral Choirs, Andrew Lucas & Ensemble DeChorum  Gloria: III. Vivace e ritmico  
Metamorphosen & Scott Yoo  Voyage  
Choir Of King's College, Cambridge & Stephen Cleobury  One Star, At Last  
Gidon Kremer, Leonard Bernstein & New York Philharmonic  Violin Concerto (1984): I. Twilight: Free and Spacious - Attacca  
Chicago Pro Musica  Pastoral for Clarinet and Piano  
Edgar Meyer & Emerson String Quartet  Quintet for String Quartet and Contrabass: Movement IV  
Soyeon Lee  Nine Bagatelles  
Itzhak Perlman  3 American Pieces: Early Song (Andante)  
Roger Heaton  Three Elegies: No. 2  
David Arden  Brin  
Markus Hauke & Mainz Percussion Ensemble  Quartet for 4 Percussionists: I. Moderate  
Claudio Abbado & Wiener Philharmoniker  Notations: 3. Très Modéré  
Meredith Monk & Wayne Hankin  Atlas: Travel Dream Song  
Milwaukee 20th Century Ensemble & Pavel Burda  Giuocco Dei Colpi, Op. 105  
Balanescu Quartet  String Quartet No.2: 3. III  
Ensemble InterContemporain & Pierre Boulez  Chamber Concerto for 13 Instrumentalists: 1. Corrente (Fliessend)  
Massimiliano Damerini  Nr. 4 Klavierstück VII  
John Sampen & Marilyn Shrude  Mirrorrim  
Chicago Symphony Chorus & John Nelson  Amen, Opus 35  
London Philharmonic Orchestra & William Alwyn  'Lyra Angelica' Concerto for Harp and String Orchestra: I. Adagio  
Gerard Schwarz & New York Chamber Symphony  Notturno for Strings and Harp: III. Adagio  
Danish National Radio Symphony Orchestra, Safri Duo & Thomas Dausgaard  Bach to the Future: I. C Major  
London Symphony Orchestra & Richard Hickox  Suffolk Suite: I. Prelude: Moderato  

Comment:

In the classical music world, just as in our daily lives, everything old is new again, and we have the selections to back up our contention. Danish composer Per Norgard's "Bach to the Future: I. C Major" is the first movement of a fantasy on Bach's preludes from "The Well-Tempered Clavier," performed with a certain airy playfulness by a pair of percussionists known as the Safri Duo, supported by the Danish National Radio Symphony Orchestra, conducted by Thomas Dausgaard. While Poland's Henryk Górecki's haunting "Amen" remains resolutely modernist in its sound (which was dubbed by some critics as part of the "holy minimalist" movement), his theme is as ancient as Western music itself, steeped in the majesty and mystery of faith. And Academy Award®-winning American composer John Corigliano's "Voyage for Flute and String Orchestra," performed by flautist James Galway and the Eastman Philharmonia, conducted by David Effron, has roots in the lush, pastoral sounds of Ives and Debussy.
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