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Bowie Covered - World of David Bowie

Artist Song
Mott the Hoople  All the Young Dudes  
Nirvana  The Man Who Sold the World  
The Cure  Young Americans  
Bauhaus  Ziggy Stardust  
Seu Jorge  Rebel Rebel  
Blondie  Heroes  
Barbra Streisand  Life On Mars  
Tina Turner  1984  
James Brown  Hot (I Need to Be Loved, Loved, Loved, Loved)  
Peter Noone  Oh You Pretty Things  
Lulu  The Man Who Sold the World  
The Beatstalkers  Silver Tree Top School for Boys  
Tears for Fears  Ashes to Ashes  
The Dandy Warhols  Jean Genie  
My Chemical Romance & The Used  Under Pressure  
The Mission UK  After All  
Dramarama  Candidate  
The Polyphonic Spree  Five Years  
Lisbon Improvisation Players  Memory of a Free Festival  
M. Ward  Let's Dance  
Golden Smog  Starman  
Alien Sex Fiend  All the Madmen  
Infectious Grooves  Fame  
The Beatstalkers  When I'm Five  
Zen Guerrilla  Moonage Daydream  
OK Go  Rock 'N' Roll Suicide  
Culture Club  Starman  
Poison  Suffragette City  
Shawn Mullins  Changes  
Superchunk  Scary Monsters and Super Creeps  
Charlie Haden  This Is Not America  
Polecats  John I'm Only Dancing  
Stupendams  Golden Years  
Frail  Space Oddity  
The Blood Brothers  Under Pressure  

Comment:

Go to the pop spectrum’s most distant pole and you’ll find someone there who’s covered Bowie. For instance, grunge gods Nirvana and ’60s pop princess Lulu, who both cut his “The Man Who Sold the World”: while Nirvana blew some Seattle-style grit onto its pop polish, Lulu dragged it down into Berlin’s underground — thanks to Bowie’s sleaze-ified production. Speaking of Bowie behind the boards, most people think Mott the Hoople’s biggest-ever hit is also their song. [i]Wrong[/i]. Hearing that the band was breaking up, fan-boy Bowie offered to glam-up their flagging career with a new tune (which he also produced). Ian Hunter’s fashion-burnout vocals, the screamy soaring of Mick Ralphs’ guitar, and Verden Allen’s First Gospel Church of Glitter organ riffs defined an era in three-and-a-half minutes. And it didn’t take ’60s Scottish popsters the Beatstalkers even [i]that long[/i] to recognize a young Bowie’s genius when they recorded three of his tunes, including the mod-meets-music-hall masterpiece “When I’m Five.” From Barbra Streisand to Poison, from Alien Sex Fiend to M. Ward, Bowie’s pen (and, occasionally, his face) has turned up in the most astonishingly unexpected places.
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