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Noise Rock/Math Rock/Post-Hardcore - School of Rock: Indie Rock
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[i]Rock loud. Rock hard. Rock new.[/i] While we body-slammed three semi-distinct subgenres (noise rock, math rock, and post-hardcore) together under this one big musical umbrella, they [i]all[/i] subscribe to noise rock’s basic mission statement. It sprang up everywhere, but blasting out of the fertile Chicago-Louisville circuit came Slint, who pack an entire audio demolition derby into the two-minute “Ron,” from their Steve Albini-produced [i]Tweez[/i]. If Frank Zappa and Dave Brubeck started jamming after a night of pounding Red Bulls, it might sound a little like Pittsburgh, PA, math rock grads Don Caballero’s “Stupid Puma” — as complex as Chinese algebraa progressive rock double album opus, as dissonant as a Russian-poet conventionprimal industrial clang. California boasted [i]two[/i] competing noise-rock scenes, with Drive Like Jehu leading the San Diego contingent and the mighty Melvins representing the Bay Area. The latter’s “Hooch” crunches with the sludgy heaviness of a Black Sabbath-Metallica merger and crackles with Flipper’s take-no-prisoners approach. And if you’re feeling adventurous, give a listen to the Oompa-Loompa vocal stylings and funhouse-mirror hypno-beats of today’s mathematicians Battles. From Chicago’s Jesus Lizard to Japan’s Melt-Banana, we’ve got all the tools to noise-up your iPod with the best, the brightest . . . and the [i]loudest[/i].