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Slowcore/Sadcore - School of Rock: Indie Rock

Artist Song
Low  I Remember  
Red House Painters  Song for a Blue Guitar  
Codeine  D  
Smog  Chosen One  
Elliott Smith  Speed Trials  
Sparklehorse  Sad and Beautiful World  
Cat Power  Top Expert  
American Music Club  What the Pillar of Salt Held Up  
The For Carnation  Get and Stay Get March  
Ida  Back Burner  
IDAHO  Creep  
Mojave 3  Love Songs On the Radio  
Damien Jurado  Ohio  
Scud Mountain Boys  Grudge  
Bedhead  Bedside Table  
Spain  Untitled #1  
Arab Strap  One Day, After School  
The Black Heart Procession  It's a Crime I Never Told You About the Diamonds in Your Eyes  
Radar Bros.  Shifty Lies  
Rex  Morning  

Comment:

Along with their even-more-glum cousins in sadcore, slowcore’s doyens of downbeat s-l-o-w-w-w-w-e-d their tempo to a heart-stopping crawl, paring arrangements to bare-bones minimalism. And true to their name, the sadcore corps rubbed a little dried-tear salt in their freshly opened veins with a dollop of misery. In the slow-mo emotional train wreck of “D,” Codeine singer Stephen Immerwahr catalogues every element of his life like a report card, assigning each “subject” a grade of . . . you guessed it. The Red House Painters’ Mark Kozelek (with backing vocalist Stephanie Finch) goes all Mazzy Star-dreamy in the crystal-eggshell fragility of “Song for a Blue Guitar,” a lonely, late-night lover’s last waltz. And Red House Painters’ Bay Area doppelganger (and mentor), American Music Club, haunts without histrionics in the damaged-soul introspection of “What the Pillar of Salt Held Up,” as founder Mark Eitzel barely whispers over a gorgeous, reverb-drenched acoustic guitar. From Elliott Smith to Cat Power, we’ll bring you the doom and gloom that made slowcore even darker than Spinal Tap’s famed song in D minor, “the saddest of all keys.”
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