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Slowcore/Sadcore - School of Rock: Indie Rock
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Along with their even-more-glum cousins in sadcore, slowcore’s doyens of downbeat s-l-o-w-w-w-w-e-d their tempo to a heart-stopping crawl, paring arrangements to bare-bones minimalism. And true to their name, the sadcore corps rubbed a little dried-tear salt in their freshly opened veins with a dollop of misery. In the slow-mo emotional train wreck of “D,” Codeine singer Stephen Immerwahr catalogues every element of his life like a report card, assigning each “subject” a grade of . . . you guessed it. The Red House Painters’ Mark Kozelek (with backing vocalist Stephanie Finch) goes all Mazzy Star-dreamy in the crystal-eggshell fragility of “Song for a Blue Guitar,” a lonely, late-night lover’s last waltz. And Red House Painters’ Bay Area doppelganger (and mentor), American Music Club, haunts without histrionics in the damaged-soul introspection of “What the Pillar of Salt Held Up,” as founder Mark Eitzel barely whispers over a gorgeous, reverb-drenched acoustic guitar. From Elliott Smith to Cat Power, we’ll bring you the doom and gloom that made slowcore even darker than Spinal Tap’s famed song in D minor, “the saddest of all keys.”