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New Prog - School of Rock: 21st Century Rock
Comment:
Enough with all this rough-and-tumble punk and indie stuff. Rock 'n' roll is all about [i]revolution[/i], and what could be more revolutionary than a whole new era of rockers drawing on the cosmically theatrical, boundary-shattering extravaganzas of prog masters like ELP, ELO, and Yes for inspiration? From the opening hoofbeats — yes, [i]hoofbeats[/i] — of "Knights of Cydonia," Muse exhumes the ghost of Freddie Mercury and drops him in the saddle of an Ennio Morricone-scored spaghetti western to lead a full-gallop charge across the battle-scarred landscape of Judgment Day. Not [i]extreme[/i] enough for you? Try the heavy metal thunder of Coheed & Cambria's shotgun blast to the brainpan, "Welcome Home," fusing the hammer-fisted riffage of Led Zeppelin's "Kashmir" with early Black Sabbath's proggier massitivity. And Glass Hammer strains singer-songwriter Dan Fogelberg's spun-sugar ballad "Longer" through the mid-'70s Jon Anderson/Rick Wakeman filter, emerging with perhaps the most mind-bending culture clash in prog-rock history . . . and it [i]works[/i]. From Dream Theater to Spock's Beard, prog thrives in all its musical complexity, retro elegance, and sheer otherworldliness — and we'll deliver the best of its meticulously crafted sonic handiwork right to your ear buds; all you have to do is push a button.