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                                James Carter
Comment:
At a time when most people are worried about passing Algebra or getting the car for a Friday night date, saxman James Carter was wowing audiences with wise-beyond-his-years — all 17 of them! — performances supporting Wynton Marsalis. He's hovering around the big 4-0 now, but Carter continues to astound, displaying an almost chameleon-like command of his instrument, morphing his style to suit the music without ever submerging his voice. On albums like [i]Jurassic Classics[/i], [i]Chasin' the Gypsy[/i], and [i]Gardenias for Lady Day[/i], he's demonstrated a bone-deep affection for standards and jazz history, but he's not so deeply rooted in the past that it prevents him from digging into a funk groove opposite a burnin' Hammond B-3 organ. Throughout, he's maintained a level of musicianship and faith with the music that puts him at the head of his class, so much so that he's won the [i]DownBeat[/i] critics' choice award for baritone sax three years in a row. 
            



