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Similar Sounds - The World of Chess Records
Comment:
Seems like the city of Chicago reversed the course of the Mississippi, the way musicians streamed in from the Delta. And not just to Chess, but to an alphabet soup of labels, including Mercury, Vee-Jay, Cobra, Chief, Delmark, Chance, Artistic — all yearning to make a little green off the blues. Freshly imported locals, like Otis Spann, Junior Wells, and Buddy Guy, haunted Windy City studios (including Chess) as sidemen one day, leaders the next. In "This Is the End," Strat-slingin' Hall of Famer Guy tears through the roof with a hellhound wail and a King-dethroning flurry of digit-disjointing riffage. Magic Sam, Chicago's best-kept secret, lived West Side blues, and died it (at 32), but the bad-moon-risin' howl of his "All Your Love" [i]still[/i] barrels out of the speakers like a locomotive hauling eight boxcars of dynamite. B.B. King's ever-present six-string partner, Lucille, digs her razor-sharp spurs into the citified haunches of "Everyday I Have the Blues." And a whole [i]horde[/i] of rockers, from Elvis Presley to Little Richard, took their cues — and sometimes more — from their South Side rivals; check out the Crickets' Diddley-style hambone beat in "Not Fade Away." From John Lee Hooker to Bill Haley, Chess left an indelible label on way more than just its records.